
What is Uncanny?
The Uncanny is a concept described by psychologist Sigmund Freud as the eerie or unsettling feeling that arises when something familiar is presented in a strange or unfamiliar way. Surrealist artists, who aimed to reveal the subconscious and merge it with reality, often utilized this concept by combining familiar objects in unexpected and bizarre ways. This approach created a sense of discomfort or unease, challenging the viewer's perception of reality.
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Artworks Related to Uncanny
Damien Hirst
The Beautiful Painting (large) - #1059, 2023
Painting
Giclée printing
Currently Not Available
Damien Hirst
The Beautiful Painting (large) - #860, 2023
Painting
Giclée printing
Currently Not Available

CoBrA stands for Copenhagen, Brussels, and Amsterdam; the group was formed with a desire to break away from the existing art movements of the time. Their critique of Western society led them to experiment and evolve into a significant international movement. CoBrA was founded on November 8, 1948, at the Notre Dame Café in Paris, where its manifesto was signed by Karel Appel, Joseph Noiret, Corneille, Christian Dotremont, Constant, and Asger Jorn. The group was united by a shared commitment to freedom in both form and color, and their work emphasized experimentation and spontaneity.

Concrete Art is an art movement founded by the Dutch artist Theo van Doesburg in the 1930s. The movement emphasizes pure abstraction, focusing on geometric shapes and colors without any reference to the natural world or symbolic meaning. Unlike other forms of abstract art, Concrete Art is entirely non-representational and is based on mathematical principles and precise execution. It aims to create universal, timeless works by using simple, clear forms that emphasize objectivity and clarity.

Gutai was a group of Japanese radical artists who formed the Gutai Art Association in 1954. The word Gutai translates to embodiment. The group was known for creating art on the spot for live audiences, often incorporating their own physical movements. Their performances included actions like throwing paint, piercing paper, and rolling in mud, emphasizing the direct interaction between the body and the material.
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