He gained early recognition in the 1960s as part of the "New Sculpture" movement, where he became known for his use of everyday materials and his rejection of traditional sculptural forms. McLean's performances, often staged as parodies of art practices, are notable for their playful irreverence and conceptual rigor.
« I’m interested in the gesture and the action—the thing being there one minute and not the next. I’m not interested in making things that remain in space. »
Bruce McLean
His work frequently explores themes of identity, power, and the absurdity of the art world, blending elements of pop culture with a keen sense of social commentary. McLean's influence extends beyond sculpture into painting, where his bold, gest
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He gained early recognition in the 1960s as part of the "New Sculpture" movement, where he became known for his use of everyday materials and his rejection of traditional sculptural forms. McLean's performances, often staged as parodies of art practices, are notable for their playful irreverence and conceptual rigor.
« I’m interested in the gesture and the action—the thing being there one minute and not the next. I’m not interested in making things that remain in space. »
Bruce McLean
His work frequently explores themes of identity, power, and the absurdity of the art world, blending elements of pop culture with a keen sense of social commentary. McLean's influence extends beyond sculpture into painting, where his bold, gestural works continue to push the boundaries of contemporary art. He has exhibited widely in major galleries and museums, and remains a significant figure in British and international contemporary art.
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