Details
Artist
Styles
// Öyvind Fahlström’s World Map from 1973 is a complex, densely illustrated silkscreen print that offers a unique, interpretative vision of global geography and socio-political commentary. This limited-edition piece intricately combines fragmented, cartoon-like figures, text, and symbolic imagery that represent various global issues, cultures, and historical references. Fahlström’s style, rich in detail and satire, invites the viewer to explore and decode the relationships between different regions, icons, and themes presented on this unconventional “map.” His work challenges traditional cartography by using visual metaphors to address the complexities of political and cultural dynamics worldwide, making each exploration a layered, thought-provoking experience.
World map, 1973
form
Medium
Size
56 x 107 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
// Öyvind Fahlström’s World Map from 1973 is a complex, densely illustrated silkscreen print that offers a unique, interpretative vision of global geography and socio-political commentary. This limited-edition piece intricately combines fragmented, cartoon-like figures, text, and symbolic imagery that represent various global issues, cultures, and historical references. Fahlström’s style, rich in detail and satire, invites the viewer to explore and decode the relationships between different regions, icons, and themes presented on this unconventional “map.” His work challenges traditional cartography by using visual metaphors to address the complexities of political and cultural dynamics worldwide, making each exploration a layered, thought-provoking experience.
What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.
