Silver by Yaacov Agam is a captivating silkscreen print from 1982 that exemplifies the artist's fascination with movement, perception, and vibrant color. This limited edition piece, created with a meticulous cut-out technique on a gold board backing, features an array of vertical, multicolored stripes interspersed with reflective and metallic elements. The colors shift subtly from pastels to bold tones, creating a dynamic interplay that changes as the viewer's perspective shifts. The artwork invites viewers into a kinetic experience, transforming with the light and angle, embodying Agam's pioneering approach in the field of kinetic art. The reflective gold elements enhance the visual depth, drawing viewers into an almost rhythmic engagement with color and form.
Yaacov Agam (Israel, 1928–2026) was a pioneering kinetic. and optical artist known for his vibrant, interactive works. Using dynamic patterns, shifting perspectives, and lenticular techniques, Agam invited viewers to engage with his art. His creations, including the iconic Agamograph, were exhibited worldwide, redefining the relationship between the observer and the artwork.
SilkscreenSilkscreen is a printmaking method that uses a screen made of silk or other mesh fabric. The screen is treated with a substance that blocks ink in certain areas, allowing ink to pass through only in the desired sections. Each color in the print requires a separate screen.
Silver by Yaacov Agam is a captivating silkscreen print from 1982 that exemplifies the artist's fascination with movement, perception, and vibrant color. This limited edition piece, created with a meticulous cut-out technique on a gold board backing, features an array of vertical, multicolored stripes interspersed with reflective and metallic elements. The colors shift subtly from pastels to bold tones, creating a dynamic interplay that changes as the viewer's perspective shifts. The artwork invites viewers into a kinetic experience, transforming with the light and angle, embodying Agam's pioneering approach in the field of kinetic art. The reflective gold elements enhance the visual depth, drawing viewers into an almost rhythmic engagement with color and form.
Yaacov Agam (Israel, 1928–2026) was a pioneering kinetic. and optical artist known for his vibrant, interactive works. Using dynamic patterns, shifting perspectives, and lenticular techniques, Agam invited viewers to engage with his art. His creations, including the iconic Agamograph, were exhibited worldwide, redefining the relationship between the observer and the artwork.
My aim is to show the visible as possibility in a state of perpetual becoming.
- Yaacov Agam
Yaacov Agam was an Israeli-born sculptor and experimental artist who lived in Paris. He studied at the Bezalel Academy of Art and Design in Jerusalem before moving to Switzerland, where he attended the Kunstgewerbe Schule. Major influences during this period included his teacher Johannes Itten, as well as the painter and sculptor Max Bill.
Yaacov Agam had two major retrospectives of his work: at the Musée National d'Art Moderne in Paris in 1972 and at the Guggenheim Museum in New York in 1980. His large-scale works adorned public spaces in Paris and Tel Aviv, where his Fire and Water Fountain became the centerpiece of Dizengoff Square. His Hanukkah Menorah in New York played an active role in the city's annual Hanukkah lighting celebration.
Yaacov Agam's work was most often abstract and kinetic. He incorporated elements of light and sound into many of his works, inviting the viewer to become an active participant rather than a passive observer. His large-scale sculptures were constructed using traditional materials such as steel and concrete.
In his printmaking, he created the self-named "Agamograph," using lenticular printing to produce radically different visual perceptions from those of a conventional two-dimensional print. As a young artist in Paris, Yaacov Agam exhibited alongside Jesús Rafael Soto, Carlos Cruz-Díez, Pol Bury, Alexander Calder and Jean Tinguely.
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.