
Details
Artist
Styles
Silkscreen print in colour. - Signed and numbered Yaacov Agam's End to End Suite from 1991 is a striking silkscreen print that exemplifies his exploration of kinetic art and optical illusion. The composition features a series of vibrant ovals in red, orange, blue, and white set against a field of alternating black and white vertical stripes. These stripes partially obscure and distort the underlying shapes, creating a dynamic interplay as the viewer's perspective shifts. This optical effect invites viewers to move around the artwork, as each angle reveals a slightly different composition. Agam’s signature use of bold color and geometry challenges perception, creating a sense of movement within a static print. Signed and numbered, this limited edition piece of 180 reflects Agam’s mastery in blending color, shape, and optical effects.
End to end Suite, 1991
form
Medium
Size
75.5 x 75.5 cm
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- Centimeters
Edition
Price
Details
Artist
Styles
Silkscreen print in colour. - Signed and numbered Yaacov Agam's End to End Suite from 1991 is a striking silkscreen print that exemplifies his exploration of kinetic art and optical illusion. The composition features a series of vibrant ovals in red, orange, blue, and white set against a field of alternating black and white vertical stripes. These stripes partially obscure and distort the underlying shapes, creating a dynamic interplay as the viewer's perspective shifts. This optical effect invites viewers to move around the artwork, as each angle reveals a slightly different composition. Agam’s signature use of bold color and geometry challenges perception, creating a sense of movement within a static print. Signed and numbered, this limited edition piece of 180 reflects Agam’s mastery in blending color, shape, and optical effects.
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Limited Edition Print
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Limited Edition Print
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Yaacov Agam
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Limited Edition Print
Silkscreen
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Yaacov Agam
Haggadah – Had Gadya #1 (The Little Lamb), 1985
Limited Edition Print
Silkscreen
USD 450
What is kinetic art?
Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.