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Lithograph and collage // Waltercio Caldas' Without Title 5 (2015) is a minimalist lithograph that explores the relationship between form, color, and space. Dominated by a large lavender rectangle set against a white background, the composition is interrupted by two thin, black lines that intersect and extend beyond the rectangle's borders. This subtle arrangement creates a delicate balance between the solid shape and the linear elements, drawing attention to the negative space and the interaction of simplicity with complexity. Known for his minimalist approach, Caldas invites viewers to contemplate the nuances of perception, where minimal forms suggest depth and spatial relationships beyond what initially meets the eye.
S/T 7, 2015
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Medium
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79 x 60 cm
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Details
Artist
Styles
Lithograph and collage // Waltercio Caldas' Without Title 5 (2015) is a minimalist lithograph that explores the relationship between form, color, and space. Dominated by a large lavender rectangle set against a white background, the composition is interrupted by two thin, black lines that intersect and extend beyond the rectangle's borders. This subtle arrangement creates a delicate balance between the solid shape and the linear elements, drawing attention to the negative space and the interaction of simplicity with complexity. Known for his minimalist approach, Caldas invites viewers to contemplate the nuances of perception, where minimal forms suggest depth and spatial relationships beyond what initially meets the eye.
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Waltercio Caldas
Waltercio Caldas WC 56 1 , 2015
Limited Edition Print
Digital Print On Paper
EUR 1,800
What is minimalism?
Minimalism is a style in music and visual arts characterized by pared-down designs and simplicity. It began in Western art after World War II, gaining prominence particularly in American visual arts. Minimalism draws heavily on aspects of modernism and is often viewed as a reaction against Abstract Expressionism, as well as a precursor to post-minimal art practices. Prominent minimalist artists include Agnes Martin, Donald Judd, Robert Morris, Frank Stella, and Dan Flavin.
