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// Receiver II by Tony Cragg, created in 2002, is a limited edition lithograph that showcases the artist’s exploration of industrial forms and scientific imagery. Rendered in deep, monochromatic tones, the print depicts a complex arrangement resembling satellite dishes or receivers, evoking themes of communication and connectivity. Cragg’s use of texture and shadow adds a sense of weight and dimensionality, transforming the object into a sculptural form on paper. This lithograph, with an edition size of 40, reflects Cragg’s interest in the intersection of nature, technology, and the structures that bridge them. Measuring 50 cm by 63 cm, Receiver II invites viewers to reflect on the role of technology in shaping our perception and interaction with the world.
Receiver II, 2002
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50 x 63 cm
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Details
Artist
Styles
// Receiver II by Tony Cragg, created in 2002, is a limited edition lithograph that showcases the artist’s exploration of industrial forms and scientific imagery. Rendered in deep, monochromatic tones, the print depicts a complex arrangement resembling satellite dishes or receivers, evoking themes of communication and connectivity. Cragg’s use of texture and shadow adds a sense of weight and dimensionality, transforming the object into a sculptural form on paper. This lithograph, with an edition size of 40, reflects Cragg’s interest in the intersection of nature, technology, and the structures that bridge them. Measuring 50 cm by 63 cm, Receiver II invites viewers to reflect on the role of technology in shaping our perception and interaction with the world.
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What is site specific art?
Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.