Sam Francis

Untitled, 1984

106.7 X 73 inch

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Thomas Ruff, Zycles III, 2009, digital pigment print with intersecting translucent lines in green, orange, and gray on semi-transparent foil.

digital pigment print (Ditone) on semi transparent polyester foil // Thomas Ruff’s Zycles III (2009) is a digital pigment print that embodies the artist's exploration of mathematical and scientific aesthetics. Using intricate lines and curves, Ruff has created a web-like composition where translucent threads intersect and diverge across a pale background. The use of semi-transparent polyester foil enhances the layering effect, allowing colors like green, orange, and soft gray to overlap and blend subtly. The work gives the impression of three-dimensionality and movement, as if capturing the dynamic trajectories of particles or the flow of energy fields. Limited to an edition of 15, this piece exemplifies Ruff’s interest in merging art with computational precision, inviting viewers to contemplate patterns that are both structured and organic.

Artwork Copyright © Thomas Ruff

Zycles III, 2009

form

Medium

Edition

digital pigment print (Ditone) on semi transparent polyester foil // Thomas Ruff’s Zycles III (2009) is a digital pigment print that embodies the artist's exploration of mathematical and scientific aesthetics. Using intricate lines and curves, Ruff has created a web-like composition where translucent threads intersect and diverge across a pale background. The use of semi-transparent polyester foil enhances the layering effect, allowing colors like green, orange, and soft gray to overlap and blend subtly. The work gives the impression of three-dimensionality and movement, as if capturing the dynamic trajectories of particles or the flow of energy fields. Limited to an edition of 15, this piece exemplifies Ruff’s interest in merging art with computational precision, inviting viewers to contemplate patterns that are both structured and organic.

Artwork Copyright © Thomas Ruff

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What is the Dusseldorf school of photography?

The Düsseldorf School of Photography refers to a group of photographers who studied under Bernd and Hilla Becher at the Kunstakademie Düsseldorf during the 1970s. This group was known for its devotion to the black-and-white industrial images characteristic of the German tradition known as New Objectivity. The photographers focused on precise, methodical documentation of industrial structures, often using a detached and objective approach.

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