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Artist
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Inkjet on Rag Photographique Paper; Signed, dated and numbered on the reverse; Pristine, no apparent condition issues; Presented in a portfolio with text by Thomas Ruff and Martin Barnes, Senior curator, Photographs, V&A; Unframed // Tripe_12 (Seeringham, Munduppum inside gateway) by Thomas Ruff is a digitally altered inkjet print created in 2018. Part of Ruff’s series inspired by 19th-century photographer Linnaeus Tripe, this artwork reinterprets an archival photograph of an architectural gateway in Srirangam, India. Ruff's method of reworking and enhancing historical photographs with digital techniques emphasizes the textures and age-worn qualities of the structure, giving it a timeless yet ethereal quality. The muted tones and fine details on Rag Photographique Paper convey a sense of quiet reverence for both the ancient architecture and the history of photography itself. Signed, dated, and numbered on the reverse, this piece comes in a portfolio that includes curatorial insights, adding depth to its historical and artistic context.
Tripe_12 (Seeringham, Munduppum inside gateway), 2018
form
Medium
Size
40 x 50 cm
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Range
- USD
- EUR
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Details
Artist
Styles
Inkjet on Rag Photographique Paper; Signed, dated and numbered on the reverse; Pristine, no apparent condition issues; Presented in a portfolio with text by Thomas Ruff and Martin Barnes, Senior curator, Photographs, V&A; Unframed // Tripe_12 (Seeringham, Munduppum inside gateway) by Thomas Ruff is a digitally altered inkjet print created in 2018. Part of Ruff’s series inspired by 19th-century photographer Linnaeus Tripe, this artwork reinterprets an archival photograph of an architectural gateway in Srirangam, India. Ruff's method of reworking and enhancing historical photographs with digital techniques emphasizes the textures and age-worn qualities of the structure, giving it a timeless yet ethereal quality. The muted tones and fine details on Rag Photographique Paper convey a sense of quiet reverence for both the ancient architecture and the history of photography itself. Signed, dated, and numbered on the reverse, this piece comes in a portfolio that includes curatorial insights, adding depth to its historical and artistic context.
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