Details
Artist
Styles
Original Chromogenic print -Signed, numbered and dated // Thomas Ruff’s PHG.06_I (2013) is a limited edition chromogenic (C-print) that explores the intersection of abstraction and digital manipulation. The image presents an array of overlapping, semi-transparent shapes in muted tones of red, beige, and hints of purple. The forms appear fluid, as if in motion, with soft edges blending into one another, creating a sense of depth and dynamism. Ruff, known for his innovative use of technology in art, uses digital techniques to deconstruct familiar forms, leaving viewers to interpret the ambiguous shapes in their own way. This print measures approximately 49.8 x 39.9 cm and exemplifies Ruff's fascination with the boundaries between photography and digital abstraction.
PHG.06_I, 2013
form
Medium
Size
49.8 x 39.9 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Original Chromogenic print -Signed, numbered and dated // Thomas Ruff’s PHG.06_I (2013) is a limited edition chromogenic (C-print) that explores the intersection of abstraction and digital manipulation. The image presents an array of overlapping, semi-transparent shapes in muted tones of red, beige, and hints of purple. The forms appear fluid, as if in motion, with soft edges blending into one another, creating a sense of depth and dynamism. Ruff, known for his innovative use of technology in art, uses digital techniques to deconstruct familiar forms, leaving viewers to interpret the ambiguous shapes in their own way. This print measures approximately 49.8 x 39.9 cm and exemplifies Ruff's fascination with the boundaries between photography and digital abstraction.
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Thomas Ruff
Tripe_12 (Seeringham, Munduppum Inside Gateway), 2018
Photography
Inkjet Print
GBP 1,500 - 2,000
Thomas Ruff
Tripe_08 (Pugahm Myo. Thapinyu Pagoda), 2018
Limited Edition Print
Inkjet Print
GBP 1,500 - 2,000
What is the Dusseldorf school of photography?
The Düsseldorf School of Photography refers to a group of photographers who studied under Bernd and Hilla Becher at the Kunstakademie Düsseldorf during the 1970s. This group was known for its devotion to the black-and-white industrial images characteristic of the German tradition known as New Objectivity. The photographers focused on precise, methodical documentation of industrial structures, often using a detached and objective approach.
