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One of six prints that comprise the Presidential Portfolio - Original three-color lithograph on BFK Rives - Signed and numbered in pencil - Literature: Lembark 241 // Sam Francis’s Untitled (Radiant Splatter) (1981) is an energetic lithograph that exemplifies the artist’s abstract expressionist style. This piece, one of six prints in the Presidential Portfolio, features dynamic splashes and splatters of deep blues, greys, and blacks, radiating from a central diamond shape. The controlled chaos of the paint, applied in a gestural manner, creates a sense of movement and spontaneity. Francis’s use of negative space allows the explosive splatters to stand out, highlighting the contrast between the geometric center and the organic forms surrounding it. This limited edition lithograph is signed and numbered by the artist in pencil, printed on BFK Rives paper.
Untitled (Radiant Splatter), 1981
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61 x 46.7 cm
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Details
Artist
Styles
One of six prints that comprise the Presidential Portfolio - Original three-color lithograph on BFK Rives - Signed and numbered in pencil - Literature: Lembark 241 // Sam Francis’s Untitled (Radiant Splatter) (1981) is an energetic lithograph that exemplifies the artist’s abstract expressionist style. This piece, one of six prints in the Presidential Portfolio, features dynamic splashes and splatters of deep blues, greys, and blacks, radiating from a central diamond shape. The controlled chaos of the paint, applied in a gestural manner, creates a sense of movement and spontaneity. Francis’s use of negative space allows the explosive splatters to stand out, highlighting the contrast between the geometric center and the organic forms surrounding it. This limited edition lithograph is signed and numbered by the artist in pencil, printed on BFK Rives paper.
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Sam Francis
Untitled From 1 Cent Life Portfolio, 1964
Limited Edition Print
Lithograph
Currently Not Available
What is ‘light and space’?
The Light and Space Movement refers to loosely affiliated art movements connected to minimalism, geometric abstraction, and op art that originated in Southern California in the 1960s. Greatly influenced by artist John McLaughlin, these artists focused on sensory phenomena such as light, perception, and space as central elements of their work. They also incorporated cutting-edge technologies from the aerospace and engineering industries to develop light-filled and sensuous objects, creating immersive experiences that emphasize the viewer's perception.
