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Color Etchings and Aquatints, on Somerset - Signed, Numbered and Dated - Published by the Brooklyn Academy of Music, New York // Robert Mangold's Untitled, State A (color) (1988) is a limited edition etching and aquatint on Somerset paper that exemplifies his minimalist aesthetic. The artwork features two geometric forms: an elongated oval on the left and an open ellipse on the right, both set within angular, translucent shapes. The use of soft, subtle shades creates a delicate balance between line and form, evoking a sense of quiet harmony. The precision and simplicity of the piece reflect Mangold’s exploration of spatial relationships and the interplay between structure and transparency. Published by the Brooklyn Academy of Music, this piece is signed, dated, and numbered by the artist.
Untitled, State A (color), 1988
form
Medium
Size
41.9 x 62.2 cm
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Price
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Details
Artist
Styles
Color Etchings and Aquatints, on Somerset - Signed, Numbered and Dated - Published by the Brooklyn Academy of Music, New York // Robert Mangold's Untitled, State A (color) (1988) is a limited edition etching and aquatint on Somerset paper that exemplifies his minimalist aesthetic. The artwork features two geometric forms: an elongated oval on the left and an open ellipse on the right, both set within angular, translucent shapes. The use of soft, subtle shades creates a delicate balance between line and form, evoking a sense of quiet harmony. The precision and simplicity of the piece reflect Mangold’s exploration of spatial relationships and the interplay between structure and transparency. Published by the Brooklyn Academy of Music, this piece is signed, dated, and numbered by the artist.
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Robert Mangold
Untitled 2 ( From A Book Of Silk Screen Prints), 1992
Limited Edition Print
Serigraph
USD 1,100
What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.
