Sam Francis

Untitled, 1984

106.7 X 73 inch

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Ballast III

Richard Serra | Transversal # 4 | Etching available for sale on www.composition.gallery
Richard Serra was an American artist known primarily for his large-scale outdoor sculptures made of sheet metal and for his avant garde video work. His work is in the permanent collections of such institutions as the Guggenheim Museum in Bilbao, Spain, and the Museum of Modern Art (MoMA). He has been the recipient of many awards Read More
Artwork Copyright © Richard Serra

Transversal # 4, 2004

form
Medium

Beautiful monochromatic etching, by renowned artist Richard Serra.

Richard Serra was an American artist known primarily for his large-scale outdoor sculptures made of sheet metal and for his avant garde video work. His work is in the permanent collections of such institutions as the Guggenheim Museum in Bilbao, Spain, and the Museum of Modern Art (MoMA). He has been the recipient of many awards Read More
Artwork Copyright © Richard Serra

Richard Serra

Extensión # 3, 2004

Limited Edition Print

Etching

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Richard Serra

Extensión # 2, 2004

Limited Edition Print

Etching

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Richard Serra

Sketch 5, 1983

Limited Edition Print

Lithograph

Artwork On Hold

Richard Serra

Sketch 3, 1983

Limited Edition Print

Lithograph

Currently Not Available

Richard Serra

Paths And Edges # 8, 2007

Limited Edition Print

Etching

Currently Not Available

Richard Serra

Paths And Edges #6, 2007

Limited Edition Print

Etching

Currently Not Available

Richard Serra

Transversal # 4, 2004

Limited Edition Print

Etching

Currently Not Available

Richard Serra

Ballast III, 2011

Limited Edition Print

Etching

Currently Not Available

Richard Serra

Ballast II

Limited Edition Print

Etching

Currently Not Available

Richard Serra

Ballast I, 2011

Limited Edition Print

Etching

Currently Not Available

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What is Arte Povera?

A movement and style in art that originated in Italy back in the 1960s. It combines concepts of minimalists, performance and conceptual art by making use of common or worthless materials like newspapers or stones with the hope of subverting the process of art commercialization.

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