Reinhoud D’haese’s works were primarily surrealist outputs depicting small-scale figures performing various activities; Le Contramaitre is just one of the many quirky figures created and exhibited.
Initially, his preferred material was copper, but he eventually went on to explore and create with a variety of other materials throughout his career, namely pewter and glass. D’haese met Pierre Alechinsky in the early 50’s and subsequently displayed a lot of his works at CoBrA exhibits – his sculptures, often inspired by fairy-tale figures, are usually displayed together in a scene that depicts some form of human activity. Read Less
Biography
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Reinhoud D’haese’s works were primarily surrealist outputs depicting small-scale figures performing various activities; Le Contramaitre is just one of the many quirky figures created and exhibited.
Initially, his preferred material was copper, but he eventually went on to explore and create with a variety of other ma Read More
Artwork Copyright ©
Reinhoud D'Haese
Initially, his preferred material was copper, but he eventually went on to explore and create with a variety of other ma Read More
Employé de Première classe, 1968
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66 x 37 X 38 cm
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Brass sculpture on litho-stone base - 12kg. Collection de la Galerie La Balance - Bruxelles - Publ (...)
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Biography
Categories
Reinhoud D’haese’s works were primarily surrealist outputs depicting small-scale figures performing various activities; Le Contramaitre is just one of the many quirky figures created and exhibited.
Initially, his preferred material was copper, but he eventually went on to explore and create with a variety of other ma Read More
Artwork Copyright ©
Reinhoud D'Haese
Initially, his preferred material was copper, but he eventually went on to explore and create with a variety of other ma Read More
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Reinhoud D'Haese
Deluxe Edition, 1989
Limited Edition Print
Etching
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Artwork by Karel Appel
What is the CoBrA movement?
CoBrA stands for Copenhagen, Brussels and Amsterdam; this group was formed with a desire to break away from the then existing movements. The Western society criticisms made it experimentally evolve to become a reputable international movement. CoBrA was started by Karel Appel, Joseph Noiret, Corneille, Christian Dotremont, Constant and Asger Jorn on November 8th 1948 at Notre Dame Cafe, Paris where its manifesto was signed. Their unifying factor was the need for freedom of both form and color and their working was based on experiment and spontaneity.
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