Silkscreen on paper, signed by the artist - 12 Prints by Raymond Pettibon Folio of 12 Serigraphs, Published by Ed Boswell in association with Richard Duardo and Kay Koch Printed by Multiples, LA. - Was intended to be an edition of fifty but only forty good pieces were printed for the edition.
The World Came into the Church by Raymond Pettibon, created in 1991, is a powerful silkscreen print that combines expressive linework with thought-provoking text. The composition is dominated by bold black strokes that form an abstracted, gothic cathedral interior, with arches that converge towards the top, creating a sense of upward movement and spiritual introspection. Above the arches, the text reads, “The World Came into the Church,” while below it states, “God Embraces All the Converging Lines of the Universe.” Pettibon’s use of heavy black ink and sharp lines conveys both strength and vulnerability, reflecting themes of spirituality, universality, and introspection. This artwork invites viewers to contemplate the relationship between the divine and the earthly, between structure and chaos, within the symbolic framework of a church.
Raymond Pettibon (USA, 1957) is a contemporary artist known for his graphic, text-laden drawings that merge pop culture, literature, and politics. Emerging from the punk rock scene, including designing for Black Flag, Pettibon’s works explore dark humor and subversion. His distinctive style is widely exhibited in galleries and museums worldwide.
Screen-printScreen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
Silkscreen on paper, signed by the artist - 12 Prints by Raymond Pettibon Folio of 12 Serigraphs, Published by Ed Boswell in association with Richard Duardo and Kay Koch Printed by Multiples, LA. - Was intended to be an edition of fifty but only forty good pieces were printed for the edition.
The World Came into the Church by Raymond Pettibon, created in 1991, is a powerful silkscreen print that combines expressive linework with thought-provoking text. The composition is dominated by bold black strokes that form an abstracted, gothic cathedral interior, with arches that converge towards the top, creating a sense of upward movement and spiritual introspection. Above the arches, the text reads, “The World Came into the Church,” while below it states, “God Embraces All the Converging Lines of the Universe.” Pettibon’s use of heavy black ink and sharp lines conveys both strength and vulnerability, reflecting themes of spirituality, universality, and introspection. This artwork invites viewers to contemplate the relationship between the divine and the earthly, between structure and chaos, within the symbolic framework of a church.
Raymond Pettibon (USA, 1957) is a contemporary artist known for his graphic, text-laden drawings that merge pop culture, literature, and politics. Emerging from the punk rock scene, including designing for Black Flag, Pettibon’s works explore dark humor and subversion. His distinctive style is widely exhibited in galleries and museums worldwide.
Art comes after the fact, as a witness to certain things that have happened.
- Raymond Pettibon
Raymond Pettibon is a prolific contemporary American artist who is known for his drawings, which combine image and text and are often violent, ironic, and/or anti-authoritarian. Much of his illustration is political in nature, and uses black humor to critique contemporary culture. His primary medium is India ink on paper, and many of his works are black and white, although some are colored with watercolors, acrylics, pencils, gouache, or collage. His style is reminiscent of editorial cartoons, and is influenced by William Blake, Edward Hopper, and Francisco Goya. Raymond Pettibon got his start in the punk rock scene in the 1970s, and has created album covers, posters and other ephemera for bands such as Black Flag and Sonic Youth. Since 1978, he has produced limited edition photocopy booklets of his work, which he calls "Superflux Pubs," and from 1981 to 1986 he published his illustrations as an independent magazine,Tripping Corpse. Raymond Pettibon has been the recipient of a number of awards, including the Bucksbaum Award in 2004 and the University of Vienna's Oscar Kokoschka Prize in 2010. (Artist website)
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.