
Details
Artist
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Fine screenprint, signed and dated lower right; numbered lower left in pencil by the artist. // At Least I Got To See Vegas by Raymond Pettibon, a fine screenprint created in 1989, is a stark, monochromatic piece measuring 88.9 x 68.5 cm. This work encapsulates Pettibon's unique narrative style, blending dark humor with a sense of raw, gritty realism. The composition features a man lying on the ground, his face bloodied, with a solitary shoe ominously poised above him, possibly suggesting violence or a dramatic aftermath. The caption beneath, At least I got to see Vegas, injects a sardonic twist, juxtaposing the glamour of Las Vegas with the bleakness of the scene. Pettibon’s bold use of black and white and his hand-drawn lines emphasize the intensity and tension, making the image simultaneously provocative and reflective. Signed, dated, and numbered by the artist, this screenprint exemplifies Pettibon’s commentary on the darker aspects of American culture and human experience.
At Least I Got To See Vegas, 1989
form
Medium
Size
88.9 x 68.5 cm
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Edition
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Details
Artist
Styles
Fine screenprint, signed and dated lower right; numbered lower left in pencil by the artist. // At Least I Got To See Vegas by Raymond Pettibon, a fine screenprint created in 1989, is a stark, monochromatic piece measuring 88.9 x 68.5 cm. This work encapsulates Pettibon's unique narrative style, blending dark humor with a sense of raw, gritty realism. The composition features a man lying on the ground, his face bloodied, with a solitary shoe ominously poised above him, possibly suggesting violence or a dramatic aftermath. The caption beneath, At least I got to see Vegas, injects a sardonic twist, juxtaposing the glamour of Las Vegas with the bleakness of the scene. Pettibon’s bold use of black and white and his hand-drawn lines emphasize the intensity and tension, making the image simultaneously provocative and reflective. Signed, dated, and numbered by the artist, this screenprint exemplifies Pettibon’s commentary on the darker aspects of American culture and human experience.
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What is animation?
Animation is the process of displaying a sequence of static images in rapid succession to create the illusion of movement. Each image, or frame, is slightly altered from the previous one, particularly in the moving parts, so when shown together, they form a continuous motion. Traditionally, illustrators drew each frame by hand to produce this effect.