Sam Francis

Untitled, 1984

106.7 X 73 inch

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Crawling as we do

Raymond Pettibon's At Least I Got To See Vegas, 1989 screenprint depicting a bloodied man on ground with shoe overhead and dark humor caption.

Fine screenprint, signed and dated lower right; numbered lower left in pencil by the artist. // At Least I Got To See Vegas by Raymond Pettibon, a fine screenprint created in 1989, is a stark, monochromatic piece measuring 88.9 x 68.5 cm. This work encapsulates Pettibon's unique narrative style, blending dark humor with a sense of raw, gritty realism. The composition features a man lying on the ground, his face bloodied, with a solitary shoe ominously poised above him, possibly suggesting violence or a dramatic aftermath. The caption beneath, At least I got to see Vegas, injects a sardonic twist, juxtaposing the glamour of Las Vegas with the bleakness of the scene. Pettibon’s bold use of black and white and his hand-drawn lines emphasize the intensity and tension, making the image simultaneously provocative and reflective. Signed, dated, and numbered by the artist, this screenprint exemplifies Pettibon’s commentary on the darker aspects of American culture and human experience.

Artwork Copyright © Raymond Pettibon

At Least I Got To See Vegas, 1989

form

Medium

Edition

Fine screenprint, signed and dated lower right; numbered lower left in pencil by the artist. // At Least I Got To See Vegas by Raymond Pettibon, a fine screenprint created in 1989, is a stark, monochromatic piece measuring 88.9 x 68.5 cm. This work encapsulates Pettibon's unique narrative style, blending dark humor with a sense of raw, gritty realism. The composition features a man lying on the ground, his face bloodied, with a solitary shoe ominously poised above him, possibly suggesting violence or a dramatic aftermath. The caption beneath, At least I got to see Vegas, injects a sardonic twist, juxtaposing the glamour of Las Vegas with the bleakness of the scene. Pettibon’s bold use of black and white and his hand-drawn lines emphasize the intensity and tension, making the image simultaneously provocative and reflective. Signed, dated, and numbered by the artist, this screenprint exemplifies Pettibon’s commentary on the darker aspects of American culture and human experience.

Artwork Copyright © Raymond Pettibon

Raymond Pettibon

No Title (You Have Still), 2002

Limited Edition Print

Silkscreen

EUR 1,500

Raymond Pettibon

Untitled, It Might Easily -be Drawn Into Drawings, 1990

Limited Edition Print

Serigraph

USD 2,900

Raymond Pettibon

The World Came Into The Church, 1991

Limited Edition Print

Screen-print

USD 2,950

Raymond Pettibon

Yes, But Alas, 1990

Limited Edition Print

Silkscreen

USD 2,900

Raymond Pettibon

I Want To Be The Girl In The Wig Commercial, 1989

Limited Edition Print

Lithograph

USD 3,900

Raymond Pettibon

And When I Want To Fly Home What Do I Do?, 2004

Limited Edition Print

Lithograph

USD 2,700

Raymond Pettibon

I’m Losing The Big Picture In The Full Story Of My Life, 2010

Limited Edition Print

Lithograph

USD 3,900

Raymond Pettibon

Use The Moon, 1991

Limited Edition Print

Lithograph

Currently Not Available

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What is animation?

Animation is the process of displaying a sequence of static images in rapid succession to create the illusion of movement. Each image, or frame, is slightly altered from the previous one, particularly in the moving parts, so when shown together, they form a continuous motion. Traditionally, illustrators drew each frame by hand to produce this effect.

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Raymond Pettibon's At Least I Got To See Vegas

Raymond Pettibon

At Least I Got To See Vegas, 1989

Limited Edition Print

Screen-print

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