Sam Francis

Untitled, 1984

106.7 X 73 inch

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Untitled #3

Pello Irazu's Untitled #4, mixed media, shows abstract shapes in black, white, and red with a central chair-like form and textured contrasts.

// Untitled #4 by Pello Irazu is a mixed-media piece from 1985, showcasing a minimalist exploration of form and texture. The artwork features a stark composition with abstract shapes in muted tones, primarily black, white, and a hint of red. A central, chair-like form is rendered in soft whites, juxtaposed against darker, textured strokes that create a sense of contrast and depth. The minimal use of color emphasizes the structural elements and invites a contemplative focus on negative space. Irazu’s work reflects his interest in spatial relationships and the subtle interactions between form and emptiness, encouraging viewers to find meaning within abstraction.

Artwork Copyright © Pello Irazu

Untitled #4, 1985

form

Medium

Edition

// Untitled #4 by Pello Irazu is a mixed-media piece from 1985, showcasing a minimalist exploration of form and texture. The artwork features a stark composition with abstract shapes in muted tones, primarily black, white, and a hint of red. A central, chair-like form is rendered in soft whites, juxtaposed against darker, textured strokes that create a sense of contrast and depth. The minimal use of color emphasizes the structural elements and invites a contemplative focus on negative space. Irazu’s work reflects his interest in spatial relationships and the subtle interactions between form and emptiness, encouraging viewers to find meaning within abstraction.

Artwork Copyright © Pello Irazu

Pello Irazu

Untitled #4, 1985

Painting

Mixed Media

EUR 2,250

Pello Irazu

Untitled #3, 1985

Painting

Mixed Media

EUR 2,250

Pello Irazu

Untitled #2, 1985

Painting

Mixed Media

EUR 2,250

Pello Irazu

Untitled #1, 1985

Painting

Mixed Media

EUR 2,250

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What is conceptual art?

Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.

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