Sam Francis

Untitled, 1984

106.7 X 73 inch

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Untitled #1

Pello Irazu's Untitled #2, 1985 mixed media painting with simple geometric shape in white tones, accented by bold red and black stroke.

// Untitled #2 by Pello Irazu is a mixed media painting from 1985 that reflects the artist’s minimalistic approach to form and composition. The artwork features a lightly outlined geometric shape, resembling a simplified house or structure, rendered in delicate, neutral tones with areas of white and light beige. A contrasting stroke of red and black appears on the right, breaking the uniformity and adding a sense of tension to the composition. This juxtaposition of soft and bold elements creates a contemplative space, inviting viewers to reflect on balance and disruption within form. Irazu's work exemplifies a quiet yet powerful exploration of spatial relationships and abstraction.

Artwork Copyright © Pello Irazu

Untitled #2, 1985

form

Medium

Edition

// Untitled #2 by Pello Irazu is a mixed media painting from 1985 that reflects the artist’s minimalistic approach to form and composition. The artwork features a lightly outlined geometric shape, resembling a simplified house or structure, rendered in delicate, neutral tones with areas of white and light beige. A contrasting stroke of red and black appears on the right, breaking the uniformity and adding a sense of tension to the composition. This juxtaposition of soft and bold elements creates a contemplative space, inviting viewers to reflect on balance and disruption within form. Irazu's work exemplifies a quiet yet powerful exploration of spatial relationships and abstraction.

Artwork Copyright © Pello Irazu

Pello Irazu

Untitled #4, 1985

Painting

Mixed Media

EUR 2,250

Pello Irazu

Untitled #3, 1985

Painting

Mixed Media

EUR 2,250

Pello Irazu

Untitled #2, 1985

Painting

Mixed Media

EUR 2,250

Pello Irazu

Untitled #1, 1985

Painting

Mixed Media

EUR 2,250

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What is conceptual art?

Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.

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