Sam Francis

Untitled, 1984

106.7 X 73 inch

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Untitled #3

Pello Irazu's Untitled #4, mixed media, shows abstract shapes in black, white, and red with a central chair-like form and textured contrasts.

// Untitled #4 by Pello Irazu is a mixed-media piece from 1985, showcasing a minimalist exploration of form and texture. The artwork features a stark composition with abstract shapes in muted tones, primarily black, white, and a hint of red. A central, chair-like form is rendered in soft whites, juxtaposed against darker, textured strokes that create a sense of contrast and depth. The minimal use of color emphasizes the structural elements and invites a contemplative focus on negative space. Irazu’s work reflects his interest in spatial relationships and the subtle interactions between form and emptiness, encouraging viewers to find meaning within abstraction.

Artwork Copyright © Pello Irazu

Untitled #4, 1985

form

Medium

Edition

// Untitled #4 by Pello Irazu is a mixed-media piece from 1985, showcasing a minimalist exploration of form and texture. The artwork features a stark composition with abstract shapes in muted tones, primarily black, white, and a hint of red. A central, chair-like form is rendered in soft whites, juxtaposed against darker, textured strokes that create a sense of contrast and depth. The minimal use of color emphasizes the structural elements and invites a contemplative focus on negative space. Irazu’s work reflects his interest in spatial relationships and the subtle interactions between form and emptiness, encouraging viewers to find meaning within abstraction.

Artwork Copyright © Pello Irazu

Pello Irazu

Untitled #4, 1985

Painting

Mixed Media

EUR 2,250

Pello Irazu

Untitled #3, 1985

Painting

Mixed Media

EUR 2,250

Pello Irazu

Untitled #2, 1985

Painting

Mixed Media

EUR 2,250

Pello Irazu

Untitled #1, 1985

Painting

Mixed Media

EUR 2,250

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What is abstract art?

Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.

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