Sam Francis

Untitled, 1984

106.7 X 73 inch

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Untitled #2

Pello Irazu's Untitled #3 mixed-media painting, 1985, featuring irregular white form with red accent on neutral background.

// Untitled #3 by Pello Irazu, created in 1985, is a mixed-media painting that explores minimalist abstraction through subtle textures and sparse color usage. The composition features an irregular form in soft white tones with hints of red accents, floating against a neutral background. The white shape appears almost ghostly, with the red element adding a focal point that hints at structure within ambiguity. Irazu’s work during this period reflects an interest in form and emptiness, inviting viewers to contemplate the space around the shapes and the understated interplay of color and form. The simplicity of this piece highlights the artist's ability to evoke depth and intrigue with minimal elements.

Artwork Copyright © Pello Irazu

Untitled #3, 1985

form

Medium

Edition

// Untitled #3 by Pello Irazu, created in 1985, is a mixed-media painting that explores minimalist abstraction through subtle textures and sparse color usage. The composition features an irregular form in soft white tones with hints of red accents, floating against a neutral background. The white shape appears almost ghostly, with the red element adding a focal point that hints at structure within ambiguity. Irazu’s work during this period reflects an interest in form and emptiness, inviting viewers to contemplate the space around the shapes and the understated interplay of color and form. The simplicity of this piece highlights the artist's ability to evoke depth and intrigue with minimal elements.

Artwork Copyright © Pello Irazu

Pello Irazu

Untitled #4, 1985

Painting

Mixed Media

EUR 2,250

Pello Irazu

Untitled #3, 1985

Painting

Mixed Media

EUR 2,250

Pello Irazu

Untitled #2, 1985

Painting

Mixed Media

EUR 2,250

Pello Irazu

Untitled #1, 1985

Painting

Mixed Media

EUR 2,250

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What is minimalism?

Minimalism is a style in music and visual arts characterized by pared-down designs and simplicity. It began in Western art after World War II, gaining prominence particularly in American visual arts. Minimalism draws heavily on aspects of modernism and is often viewed as a reaction against Abstract Expressionism, as well as a precursor to post-minimal art practices. Prominent minimalist artists include Agnes Martin, Donald Judd, Robert Morris, Frank Stella, and Dan Flavin.

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