Sam Francis

Untitled, 1984

106.7 X 73 inch

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Untitled #1

Pello Irazu's Untitled #2, 1985 mixed media painting with simple geometric shape in white tones, accented by bold red and black stroke.

// Untitled #2 by Pello Irazu is a mixed media painting from 1985 that reflects the artist’s minimalistic approach to form and composition. The artwork features a lightly outlined geometric shape, resembling a simplified house or structure, rendered in delicate, neutral tones with areas of white and light beige. A contrasting stroke of red and black appears on the right, breaking the uniformity and adding a sense of tension to the composition. This juxtaposition of soft and bold elements creates a contemplative space, inviting viewers to reflect on balance and disruption within form. Irazu's work exemplifies a quiet yet powerful exploration of spatial relationships and abstraction.

Artwork Copyright © Pello Irazu

Untitled #2, 1985

form

Medium

Edition

// Untitled #2 by Pello Irazu is a mixed media painting from 1985 that reflects the artist’s minimalistic approach to form and composition. The artwork features a lightly outlined geometric shape, resembling a simplified house or structure, rendered in delicate, neutral tones with areas of white and light beige. A contrasting stroke of red and black appears on the right, breaking the uniformity and adding a sense of tension to the composition. This juxtaposition of soft and bold elements creates a contemplative space, inviting viewers to reflect on balance and disruption within form. Irazu's work exemplifies a quiet yet powerful exploration of spatial relationships and abstraction.

Artwork Copyright © Pello Irazu

Pello Irazu

Untitled #4, 1985

Painting

Mixed Media

EUR 2,250

Pello Irazu

Untitled #3, 1985

Painting

Mixed Media

EUR 2,250

Pello Irazu

Untitled #2, 1985

Painting

Mixed Media

EUR 2,250

Pello Irazu

Untitled #1, 1985

Painting

Mixed Media

EUR 2,250

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What is constructivism?

Constructivism is an architectural and artistic philosophy of Russian origin that emerged as a rejection of the idea of autonomous art. The movement advocated for art to serve practical social purposes. Since its inception in 1919, Constructivism has evolved and significantly impacted 20th-century art movements, influencing major trends such as De Stijl and Bauhaus.

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