Sam Francis

Untitled, 1984

106.7 X 73 inch

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Paul Jenkins abstract monoprint with large yellow field, sweeping black gesture and vibrant red, orange and turquoise color areas.
Paul Jenkins abstract monoprint with large yellow field, sweeping black gesture and vibrant red, orange and turquoise color areas.
Paul Jenkins abstract monoprint with large yellow field, sweeping black gesture and vibrant red, orange and turquoise color areas.

Color monoprint, on handmade TGL paper. Signed and dated in pencil. Published by Tyler Graphics, New York, and with their blindstamp. Four Winds (I) (1980) by Paul Jenkins is a striking color monoprint produced on handmade TGL paper and published by Tyler Graphics Ltd.. Known for his fluid approach to abstraction, Jenkins often allowed pigments to flow and interact organically on the paper, creating compositions that balance spontaneity with control. In this work, broad areas of luminous color—particularly the dominant yellow field—interact with bold black brush-like forms and vibrant areas of red, orange, and turquoise. The sweeping black gesture that cuts diagonally across the composition introduces movement and tension, guiding the viewer’s eye through the image. The layered pigments and irregular edges of color emphasize the physical process of the monoprint technique, in which each impression is unique. The title Four Winds suggests forces of nature or directional movement, reinforcing the dynamic energy of the composition. Jenkins frequently explored themes of flow, light, and natural phenomena, and this work reflects his interest in the expressive potential of color and gesture.

Artwork Copyright © Paul Jenkins

Four winds (I), 1980

form

Medium

Edition

Color monoprint, on handmade TGL paper. Signed and dated in pencil. Published by Tyler Graphics, New York, and with their blindstamp. Four Winds (I) (1980) by Paul Jenkins is a striking color monoprint produced on handmade TGL paper and published by Tyler Graphics Ltd.. Known for his fluid approach to abstraction, Jenkins often allowed pigments to flow and interact organically on the paper, creating compositions that balance spontaneity with control. In this work, broad areas of luminous color—particularly the dominant yellow field—interact with bold black brush-like forms and vibrant areas of red, orange, and turquoise. The sweeping black gesture that cuts diagonally across the composition introduces movement and tension, guiding the viewer’s eye through the image. The layered pigments and irregular edges of color emphasize the physical process of the monoprint technique, in which each impression is unique. The title Four Winds suggests forces of nature or directional movement, reinforcing the dynamic energy of the composition. Jenkins frequently explored themes of flow, light, and natural phenomena, and this work reflects his interest in the expressive potential of color and gesture.

Artwork Copyright © Paul Jenkins

Paul Jenkins

Four Winds (I), 1980

Limited Edition Print

Monoprint

USD 4,200

Paul Jenkins

Untitled, 1960

Drawing / Watercolor

Watercolor

Inquire For Price

Paul Jenkins

Untitled (Black Strokes), 1971

Limited Edition Print

Lithograph

USD 1,580

Paul Jenkins

Untitled (Vibrant Currents), 1972

Limited Edition Print

Lithograph

USD 3,300

Paul Jenkins

Phenomena - Katherine Wheel, 1969

Limited Edition Print

Lithograph

USD 1,450

Paul Jenkins

Phenomena Wing Cut, 1979

Painting

Oil On Canvas

USD 11,900

Paul Jenkins

Phenomeana Parcinal Imperative, 1982

Drawing / Watercolor

Watercolor

USD 11,900

Paul Jenkins

Aspects D’Amadeus Et Les Autres, 1992

Limited Edition Print

Lithograph

USD 1,350

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What is lyrical abstraction ?

Lyrical abstraction is a descriptive term characterizing a type of abstract painting closely related to Abstract Expressionism, in use from the 1940s to the present. The term can also describe two distinct but related trends in post-World War II modernist painting. This art movement originated in Paris, France, after the war, emphasizing personal expression, spontaneity, and the emotional use of color and form.

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