Details
Artist
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Screen print, signed by hand // Mirgan Apparition by Otto Piene, a 1995 screen print, vibrantly contrasts deep blue strokes with a sweeping arc of rainbow colors at the bottom right. The dynamic, swirling blue background—marked with expressive, erratic strokes—suggests movement and depth, evoking the vastness of the sky or cosmos. The bold rainbow arc cutting across the composition introduces a sense of light and hope, contrasting sharply against the blue’s intensity. Signed by hand, this piece captures Piene’s fascination with light and color, embodying a spirit of optimism and cosmic energy.
Details
Artist
Styles
Screen print, signed by hand // Mirgan Apparition by Otto Piene, a 1995 screen print, vibrantly contrasts deep blue strokes with a sweeping arc of rainbow colors at the bottom right. The dynamic, swirling blue background—marked with expressive, erratic strokes—suggests movement and depth, evoking the vastness of the sky or cosmos. The bold rainbow arc cutting across the composition introduces a sense of light and hope, contrasting sharply against the blue’s intensity. Signed by hand, this piece captures Piene’s fascination with light and color, embodying a spirit of optimism and cosmic energy.
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Otto Piene
Addis Abeba, 1972
Limited Edition Print
Silkscreen
EUR 19,500
Otto Piene
Seuloeil (red), 1991
Limited Edition Print
Screen-print
EUR 2,600
Otto Piene
Seuloeil Blau/schwarzes Auge, 1991
Limited Edition Print
Screen-print
EUR 2,600
Otto Piene
Seuloeil (white), 1991
Limited Edition Print
Screen-print
EUR 2,600
Otto Piene
Zyklop Rot, 1984
Limited Edition Print
Mixed Media
EUR 2,400
Otto Piene
Zyklop Gelb, 1984
Limited Edition Print
Carborundum
EUR 2,400
Otto Piene
Addis Abeba 8, 1972
Limited Edition Print
Screen-print
EUR 3,200
Otto Piene
Blue Streak, 1980
Limited Edition Print
Screen-print
Currently Not Available
Otto Piene
Rastersonne, 2009
Ceramics
Mixed Media
Currently Not Available
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What is kinetic art?
Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.
