Details
Artist
Styles
Silkscreen and stencil on paper - Signed, numbered and dated // Mr. Brainwash’s Hollywood (2016) is a vibrant and playful screen print that blends street art aesthetics with pop culture references. The artwork depicts a graffiti-covered wall filled with colorful hearts in various hues of red, blue, green, pink, and yellow. Boldly painted over this backdrop is the word HOLLYWOOD in black, with paint drips adding an edgy, urban feel. On the right side of the composition, a figure, likely a painter, stands facing the wall, suggesting the process of creation and the blending of high and low art forms. The piece reflects Mr. Brainwash’s characteristic optimism and celebration of love, creativity, and the cultural significance of Hollywood as a symbol of fame and dreams. The vibrant colors and playful imagery contrast with the gritty urban vibe, creating a dynamic visual experience.
Hollywood, 2016
form
Medium
Size
57 x 76.2 cm
- Inches
- Centimeters
Edition
Price
- USD
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- GBP
Details
Artist
Styles
Silkscreen and stencil on paper - Signed, numbered and dated // Mr. Brainwash’s Hollywood (2016) is a vibrant and playful screen print that blends street art aesthetics with pop culture references. The artwork depicts a graffiti-covered wall filled with colorful hearts in various hues of red, blue, green, pink, and yellow. Boldly painted over this backdrop is the word HOLLYWOOD in black, with paint drips adding an edgy, urban feel. On the right side of the composition, a figure, likely a painter, stands facing the wall, suggesting the process of creation and the blending of high and low art forms. The piece reflects Mr. Brainwash’s characteristic optimism and celebration of love, creativity, and the cultural significance of Hollywood as a symbol of fame and dreams. The vibrant colors and playful imagery contrast with the gritty urban vibe, creating a dynamic visual experience.
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What is new figuration?
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.
