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From the rare limited edition of 250; Suite of Icons - Hand signed by Mr. Brainwash with thumbprint and year on verso // Mr. Brainwash’s All You Need Is Love (Lennon) (2010) is a silkscreen print that captures a playful yet poignant portrait of John Lennon sitting beside an oversized panda bear. Rendered in a monochromatic palette with splashes of pink, the artwork juxtaposes Lennon’s iconic presence with the whimsical innocence of the stuffed panda. The pink paint splatters add a pop of color, symbolizing both love and creativity, themes frequently associated with Lennon. This limited edition piece, from a series of 250, is hand-signed by Mr. Brainwash with his thumbprint on the verso, showcasing the artist’s tribute to Lennon’s enduring legacy of peace and love, set in a style that blends pop art with street art aesthetics.
All You Need Is Love (Lennon), 2010
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55.9 x 76.2 cm
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Details
Artist
Styles
From the rare limited edition of 250; Suite of Icons - Hand signed by Mr. Brainwash with thumbprint and year on verso // Mr. Brainwash’s All You Need Is Love (Lennon) (2010) is a silkscreen print that captures a playful yet poignant portrait of John Lennon sitting beside an oversized panda bear. Rendered in a monochromatic palette with splashes of pink, the artwork juxtaposes Lennon’s iconic presence with the whimsical innocence of the stuffed panda. The pink paint splatters add a pop of color, symbolizing both love and creativity, themes frequently associated with Lennon. This limited edition piece, from a series of 250, is hand-signed by Mr. Brainwash with his thumbprint on the verso, showcasing the artist’s tribute to Lennon’s enduring legacy of peace and love, set in a style that blends pop art with street art aesthetics.
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What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.