Silkscreen print on paper.

Sheet size: 65 × 50 cm, Image size: 44 x 44 cm.

Signed and dated in the lower right; numbered in the lower left.

'Komposition / Composition 2' by Max Bill is a silkscreen from 1992, produced just two years before his death, placing it among the final resolved statements of a career defined by Concrete Art's founding principles. The image is structured as two near-identical vertical panels set side by side, each composed of broad diagonal bands in violet, magenta, orange, and deep green. The left panel reads as a tighter, more compressed arrangement; the right opens the same sequence outward, letting the orange and green dominate the lower half. Bill's method, rooted in mathematical proportion rather than intuition, is visible in the precision of each edge and the deliberate sequencing of colour intervals. As a co-founder of the Hochschule für Gestaltung Ulm and a central figure in postwar European Concrete Art, Bill treated colour and geometry as a logical system — this late silkscreen stands as a clear, disciplined example of that position.