
Details
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From the Stamped Indelibly Portfolio - Rubber Stamp on BFK Rives paper - Signed and Dated - Originated from a Portfolio Book #142 of which 225 books were made - Published by William Katz, New York and offered for sale through Multiples, Inc., New York. // Marisol Escobar's Untitled (from the Stamped Indelibly) (1967) is a mixed media print that reflects her unique approach to line and form. Created using a rubber stamp on BFK Rives paper, this artwork depicts a hand holding a vibrant, spiky flower. The use of simple, bold lines in red and blue gives the image a playful yet expressive quality, highlighting Marisol's skill in combining everyday objects with a touch of whimsy. The piece originates from a limited edition portfolio book (#142 of 225) published by William Katz and distributed through Multiples, Inc. The artist's signature and date are featured, emphasizing its authenticity and collectible nature.
Untitled (from the Stamped Indelibly), 1967
form
Medium
Size
24.1 x 16.5 cm
- Inches
- Centimeters
Edition
Price
Details
Artists
Styles
From the Stamped Indelibly Portfolio - Rubber Stamp on BFK Rives paper - Signed and Dated - Originated from a Portfolio Book #142 of which 225 books were made - Published by William Katz, New York and offered for sale through Multiples, Inc., New York. // Marisol Escobar's Untitled (from the Stamped Indelibly) (1967) is a mixed media print that reflects her unique approach to line and form. Created using a rubber stamp on BFK Rives paper, this artwork depicts a hand holding a vibrant, spiky flower. The use of simple, bold lines in red and blue gives the image a playful yet expressive quality, highlighting Marisol's skill in combining everyday objects with a touch of whimsy. The piece originates from a limited edition portfolio book (#142 of 225) published by William Katz and distributed through Multiples, Inc. The artist's signature and date are featured, emphasizing its authenticity and collectible nature.
What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.