Details
Artist
Styles
// Antoni Tàpies' Llambrec-10, a limited edition lithograph from 1975, reveals the artist’s fascination with expressive gestures and symbolic abstraction. The composition features bold, black brushstrokes combined with a textured, linear pattern that cascades downward, creating a contrast between fluidity and structure. The form at the top resembles a calligraphic stroke or a mysterious symbol, marked by a cross-like overlay, adding layers of meaning and ambiguity. Tàpies’ work often conveys a sense of introspection and mystery, inviting viewers to explore the spiritual and philosophical depths within the abstract. Llambrec-10 exemplifies his ability to convey emotion and contemplation through minimalistic yet powerful visual language.
Saca la lengua, 1973
form
Medium
Size
104 x 74 cm
- Inches
- Centimeters
Edition
Price
- USD
- EUR
- GBP
Details
Artist
Styles
// Antoni Tàpies' Llambrec-10, a limited edition lithograph from 1975, reveals the artist’s fascination with expressive gestures and symbolic abstraction. The composition features bold, black brushstrokes combined with a textured, linear pattern that cascades downward, creating a contrast between fluidity and structure. The form at the top resembles a calligraphic stroke or a mysterious symbol, marked by a cross-like overlay, adding layers of meaning and ambiguity. Tàpies’ work often conveys a sense of introspection and mystery, inviting viewers to explore the spiritual and philosophical depths within the abstract. Llambrec-10 exemplifies his ability to convey emotion and contemplation through minimalistic yet powerful visual language.
What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
