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Edition of 150 - Etching and Aquatint // Seria Electro Magie II by Man Ray, crafted in 1969, is a limited-edition etching and aquatint that embodies the artist’s fascination with abstract forms and surrealist themes. This piece features a central geometric structure surrounded by intersecting shapes and lines, with elements rendered in a mix of muted and vibrant colors. The juxtaposition of organic and geometric shapes suggests an exploration of the boundaries between technology and magic, a recurring theme in Man Ray’s work. The delicate balance of color and line within the abstract composition creates a sense of harmonious complexity. Limited to an edition of 150, this print reflects Man Ray's innovative spirit and his influential role in the surrealist and avant-garde art movements.
Seria Electro Magie II, 1969
form
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28.5 x 22.8 cm
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Edition
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Details
Artist
Styles
Edition of 150 - Etching and Aquatint // Seria Electro Magie II by Man Ray, crafted in 1969, is a limited-edition etching and aquatint that embodies the artist’s fascination with abstract forms and surrealist themes. This piece features a central geometric structure surrounded by intersecting shapes and lines, with elements rendered in a mix of muted and vibrant colors. The juxtaposition of organic and geometric shapes suggests an exploration of the boundaries between technology and magic, a recurring theme in Man Ray’s work. The delicate balance of color and line within the abstract composition creates a sense of harmonious complexity. Limited to an edition of 150, this print reflects Man Ray's innovative spirit and his influential role in the surrealist and avant-garde art movements.
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Limited Edition Print
Lithograph
EUR 38,500
Man Ray
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Limited Edition Print
Lithograph
USD 1,250
Man Ray
La Ballade Des Dames Hors Du Temps, Natasha, 1971
Limited Edition Print
Etching And Aquatint
EUR 3,100
Man Ray
La Ballade Des Dames Hors Du Temps, 1970
Limited Edition Print
Etching And Aquatint
EUR 2,750
What is dada?
Also known as Dadaism, Dada was a literary and artistic movement that began in 1916 in Zurich, Switzerland. It emerged as a rejection of rationalism and nationalism, which were seen as contributing factors to World War I. The movement had political undertones and was strongly anti-war. Dada activities included demonstrations, gatherings, and the publication of literary and art journals that explored cultural and political topics.
