Dye transfer print - Mounted with edition label (numbered) verso
22 ¼ x 17 ¼ inches (56.5 x 44 cm)
- Edition of 120
- (Lit.: Man Ray. Photographs. London 1982, ill. p. 69.)
Man Ray's Erotique Voilée, originally captured in 1933 and reprinted in 1985, is a captivating image that merges sensuality with industrial symbolism. The photograph presents a nude woman positioned beside large metal gears, her hand painted in black and lifted to her forehead in a dramatic, almost theatrical gesture. The stark contrast between the softness of her form and the rigidity of the mechanical elements reflects Man Ray's exploration of surrealism, blending human vulnerability with industrial power. This dye transfer print, part of an edition of 120, exemplifies Man Ray's ability to juxtapose seemingly incongruous elements, inviting viewers to contemplate themes of femininity, labor, and the modern machine age. His careful attention to light and shadow imbues the image with a sculptural quality, further intensifying its visual impact.
Man Ray (USA, 1890–1976) was a pioneering photographer, painter, and filmmaker associated with Dada and Surrealism. Renowned for his 'rayographs,' he redefined photography as an artistic medium. His experimental works, including films and innovative portraiture, continue to influence contemporary art and photography.
PhotographA photograph is an image captured with a camera. Traditionally, photographs were made by exposing film and then developing the image on light-sensitive paper using chemicals. Today, photographs can also be captured digitally and printed or displayed electronically. The process requires a camera, whether film or digital, and a photographer.
Dye transfer print - Mounted with edition label (numbered) verso
22 ¼ x 17 ¼ inches (56.5 x 44 cm)
- Edition of 120
- (Lit.: Man Ray. Photographs. London 1982, ill. p. 69.)
Man Ray's Erotique Voilée, originally captured in 1933 and reprinted in 1985, is a captivating image that merges sensuality with industrial symbolism. The photograph presents a nude woman positioned beside large metal gears, her hand painted in black and lifted to her forehead in a dramatic, almost theatrical gesture. The stark contrast between the softness of her form and the rigidity of the mechanical elements reflects Man Ray's exploration of surrealism, blending human vulnerability with industrial power. This dye transfer print, part of an edition of 120, exemplifies Man Ray's ability to juxtapose seemingly incongruous elements, inviting viewers to contemplate themes of femininity, labor, and the modern machine age. His careful attention to light and shadow imbues the image with a sculptural quality, further intensifying its visual impact.
Man Ray (USA, 1890–1976) was a pioneering photographer, painter, and filmmaker associated with Dada and Surrealism. Renowned for his 'rayographs,' he redefined photography as an artistic medium. His experimental works, including films and innovative portraiture, continue to influence contemporary art and photography.
It has never been my object to record my dreams, just the determination to realize them.
- Man Ray
Man Ray was born Emmanuel Radnitzky in South Philadelphia, Pennsylvania. Interested in art from a young age he educated himself by visiting art museums and studying the old masters. Man Ray earned money as a commercial artist in advertising and as a technical illustrator, while working towards a career as a painter. It was when studying at the Ferrer School of Art that he began to develop into a great visual artist. Man Ray worked in a variety of media, including photography, and while his early paintings show elements of cubism he also had links to the Dada and Surrealist movements, using flat forms and vivid colors. Early in his career he began creating objects and sculptures and developed unique methods such as airbrushing on glass and using a spray gun with pen drawings. Man Ray is also remembered for creating a type of photogram, which he referred to as ‘rayographs.’ Influenced by his friend and collaborator Marcel Duchamp he worked to bring some of the energy of European experimental art to America. In the 1920s Man Ray moved to Paris, where he spent much of the next 20 years. He became a respected photographer and captured images of many people famous in the art world, such as Pablo Picasso, Gertrude Stein and Jean Cocteau. In 1934 he produced a well-known series of photographs of surrealist artist Meret Oppenheim. Collaborating with Duchamp he directed several avant-garde short films and worked on the cinematography of others. Returning to the USA in the 1940s he worked in New York and Hollywood as a fashion photographer, renowned for his use of light and minimalism, while also producing a number of paintings. He had a solo exhibition at the Copely Galleries in Beverley Hills in 1958. Man Ray died in 1976 and left a legacy of original and experimental works. He is also remembered for the important role he played in the development of revolutionary art forms. (Artist website)
Marble is a rare and expensive metamorphic rock composed of recrystallized limestone. It has been used for centuries to create statues, decorative floors, and walls due to its translucency and durability. Marble is ideal for both free-standing statues and relief sculptures. When carving, the material is chiseled away in small increments to achieve the desired form.