Details
Artist
Styles
Dye transfer print - Mounted with edition label (numbered) verso 22 ¼ x 17 ¼ inches (56.5 x 44 cm) - Edition of 120 - (Lit.: Man Ray. Photographs. London 1982, ill. p. 69.) // Man Ray's Erotique Voilée, originally captured in 1933 and reprinted in 1985, is a captivating image that merges sensuality with industrial symbolism. The photograph presents a nude woman positioned beside large metal gears, her hand painted in black and lifted to her forehead in a dramatic, almost theatrical gesture. The stark contrast between the softness of her form and the rigidity of the mechanical elements reflects Man Ray's exploration of surrealism, blending human vulnerability with industrial power. This dye transfer print, part of an edition of 120, exemplifies Man Ray's ability to juxtapose seemingly incongruous elements, inviting viewers to contemplate themes of femininity, labor, and the modern machine age. His careful attention to light and shadow imbues the image with a sculptural quality, further intensifying its visual impact.
Erotique Voilée, 1933/85
form
Medium
Size
32.5 x 24 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Dye transfer print - Mounted with edition label (numbered) verso 22 ¼ x 17 ¼ inches (56.5 x 44 cm) - Edition of 120 - (Lit.: Man Ray. Photographs. London 1982, ill. p. 69.) // Man Ray's Erotique Voilée, originally captured in 1933 and reprinted in 1985, is a captivating image that merges sensuality with industrial symbolism. The photograph presents a nude woman positioned beside large metal gears, her hand painted in black and lifted to her forehead in a dramatic, almost theatrical gesture. The stark contrast between the softness of her form and the rigidity of the mechanical elements reflects Man Ray's exploration of surrealism, blending human vulnerability with industrial power. This dye transfer print, part of an edition of 120, exemplifies Man Ray's ability to juxtapose seemingly incongruous elements, inviting viewers to contemplate themes of femininity, labor, and the modern machine age. His careful attention to light and shadow imbues the image with a sculptural quality, further intensifying its visual impact.
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What is pop-art?
Pop Art is an art movement that began in Britain in 1955 and in the late 1950s in the U.S. It challenged traditional fine arts by incorporating imagery from popular culture, such as news, advertising, and comic books. Pop Art often isolates and recontextualizes materials, combining them with unrelated elements. The movement is more about the attitudes and ideas that inspired it than the specific art itself. Pop Art is seen as a reaction against the dominant ideas of Abstract Expressionism, bringing everyday consumer culture into the realm of fine art.
