
Details
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BARCELONA # 10, 1988, color lithograph, signed in pencil, from the numbered edition of 75, sheet 30 x 22 // Barcelona #10 by Larry Bell, a 1988 lithograph, reflects the artist's interest in light, color, and spatial perception. The composition is dominated by a central rectangular gradient that transitions from bright yellow at the top through deep orange and magenta to near-black at the bottom. This gradient creates a sense of depth, almost as if light is filtering downwards, with the colors fading into the surrounding neutral space. Bell, known for his explorations in minimalism and perception, uses the simplicity of form and subtle shifts in color to evoke a meditative atmosphere. The contrast between vibrant color and muted surroundings allows viewers to focus on the gradient’s depth and transitions. Limited to an edition of 75, this print is a testament to Bell’s skill in creating visually immersive works.
Barcelona #10, 1988
form
Medium
Size
76 x 56 cm
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- Centimeters
Edition
Price
Details
Artist
Styles
BARCELONA # 10, 1988, color lithograph, signed in pencil, from the numbered edition of 75, sheet 30 x 22 // Barcelona #10 by Larry Bell, a 1988 lithograph, reflects the artist's interest in light, color, and spatial perception. The composition is dominated by a central rectangular gradient that transitions from bright yellow at the top through deep orange and magenta to near-black at the bottom. This gradient creates a sense of depth, almost as if light is filtering downwards, with the colors fading into the surrounding neutral space. Bell, known for his explorations in minimalism and perception, uses the simplicity of form and subtle shifts in color to evoke a meditative atmosphere. The contrast between vibrant color and muted surroundings allows viewers to focus on the gradient’s depth and transitions. Limited to an edition of 75, this print is a testament to Bell’s skill in creating visually immersive works.
What is Entropy?
Entropy, in a broader sense, refers to the inevitable deterioration or decline of a society or system. In art, the concept was popularized by artist Robert Smithson in the 1960s. He used the term to critique what he saw as the static and overly simplified nature of contemporary minimalist art. Smithson's work often explored the idea of entropy as a force of chaos and decay, contrasting with the perceived order and purity of minimalist works.