Sam Francis

Untitled, 1984

106.7 X 73 inch

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Untitled (Target)

Kenneth  Noland | Marron | Etching and Aquatint available for sale on www.composition.gallery

// Marron by Kenneth Noland is a vibrant etching and aquatint print from 1990, created as a limited edition of 50. The composition features a grid of nine panels, each filled with dynamic, crosshatched strokes in warm, gradient hues ranging from soft yellows to intense reds. The layered, textured marks create a sense of movement across the grid, suggesting energy and rhythm. Noland’s work is known for its exploration of color and form, and Marron embodies this through its bold use of color gradation and abstract patterning. The repetition and subtle shifts in tone across the panels give the piece a meditative quality, encouraging viewers to engage with the nuances of each color field.

Artwork Copyright © Kenneth Noland

Marron, 1990

form

Medium

Edition

// Marron by Kenneth Noland is a vibrant etching and aquatint print from 1990, created as a limited edition of 50. The composition features a grid of nine panels, each filled with dynamic, crosshatched strokes in warm, gradient hues ranging from soft yellows to intense reds. The layered, textured marks create a sense of movement across the grid, suggesting energy and rhythm. Noland’s work is known for its exploration of color and form, and Marron embodies this through its bold use of color gradation and abstract patterning. The repetition and subtle shifts in tone across the panels give the piece a meditative quality, encouraging viewers to engage with the nuances of each color field.

Artwork Copyright © Kenneth Noland

Kenneth Noland

Marron, 1990

Limited Edition Print

Etching And Aquatint

USD 1,500

Kenneth Noland

Rey, 1990

Limited Edition Print

Lithograph

USD 1,500

Kenneth Noland

Roy, 1990

Limited Edition Print

Etching And Aquatint

USD 1,500

Kenneth Noland

Untitled (Target), 2004

Limited Edition Print

Lithograph

Currently Not Available

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What is Colour Field Painting?

Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.

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