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Screenprint in colors on Saunders Waterford - Signed, dated and numbered to lower edge - From the Tension portfolio // Tension No. 2 by KAWS, from the 2019 Tension portfolio, is a screen-print on Saunders Waterford paper that bursts with dynamic colors and shapes. The composition showcases KAWS’s vibrant and bold approach, featuring overlapping abstract forms in a mix of bright hues like orange, green, blue, purple, and yellow. Dripping lines in various shades cut across the print, adding fluidity and a sense of motion, while the interplay of colors creates depth and visual excitement. The contrasting shapes and energetic palette evoke a sense of chaos and harmony, making this piece a striking exploration of abstraction. KAWS’s signature style bridges contemporary street art aesthetics with fine art presentation.
Tension No. 2, 2019
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88.9 x 58.4 cm
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Details
Artist
Styles
Screenprint in colors on Saunders Waterford - Signed, dated and numbered to lower edge - From the Tension portfolio // Tension No. 2 by KAWS, from the 2019 Tension portfolio, is a screen-print on Saunders Waterford paper that bursts with dynamic colors and shapes. The composition showcases KAWS’s vibrant and bold approach, featuring overlapping abstract forms in a mix of bright hues like orange, green, blue, purple, and yellow. Dripping lines in various shades cut across the print, adding fluidity and a sense of motion, while the interplay of colors creates depth and visual excitement. The contrasting shapes and energetic palette evoke a sense of chaos and harmony, making this piece a striking exploration of abstraction. KAWS’s signature style bridges contemporary street art aesthetics with fine art presentation.
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What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.