Sam Francis

Untitled, 1984

106.7 X 73 inch

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Man's Best Friend #7

KAWS's Man's Best Friend #9, 2016 black and white screenprint with abstracted overlapping lines on Saunders Waterford paper.

From the "Man's best friend" portfolio - Screenprint in black and white, on Saunders Waterford High White paper - Published by Pace Prints, New York. // Man's Best Friend #9 by KAWS is a screenprint from the 2016 Man's Best Friend portfolio, characterized by its bold black-and-white palette. The artwork features abstracted line work that intertwines and overlaps, creating a dense and dynamic composition reminiscent of graffiti and cartoon-inspired forms. Printed on Saunders Waterford High White paper, the high contrast of black and white amplifies the fluid, almost gestural quality of the lines, evoking both movement and ambiguity. This piece reflects KAWS’s interest in reinterpreting familiar visual languages while inviting viewers to engage with abstract forms and personal associations.

Artwork Copyright © KAWS

Man's Best Friend #9, 2016

form

Medium

Edition

From the "Man's best friend" portfolio - Screenprint in black and white, on Saunders Waterford High White paper - Published by Pace Prints, New York. // Man's Best Friend #9 by KAWS is a screenprint from the 2016 Man's Best Friend portfolio, characterized by its bold black-and-white palette. The artwork features abstracted line work that intertwines and overlaps, creating a dense and dynamic composition reminiscent of graffiti and cartoon-inspired forms. Printed on Saunders Waterford High White paper, the high contrast of black and white amplifies the fluid, almost gestural quality of the lines, evoking both movement and ambiguity. This piece reflects KAWS’s interest in reinterpreting familiar visual languages while inviting viewers to engage with abstract forms and personal associations.

Artwork Copyright © KAWS

KAWS

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Limited Edition Print

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Limited Edition Print

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Inquire For Price

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What is pop-art?

Pop Art is an art movement that began in Britain in 1955 and in the late 1950s in the U.S. It challenged traditional fine arts by incorporating imagery from popular culture, such as news, advertising, and comic books. Pop Art often isolates and recontextualizes materials, combining them with unrelated elements. The movement is more about the attitudes and ideas that inspired it than the specific art itself. Pop Art is seen as a reaction against the dominant ideas of Abstract Expressionism, bringing everyday consumer culture into the realm of fine art.

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