Sam Francis

Untitled, 1984

106.7 X 73 inch

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Untitled

Julian Schnabel per non dimenticare lithograph of crucified Christ with red inscription on pale background

Hand-signed by Julian Schnabel. Dated, with the publisher's blind stamp (Domberger Editionen, Germany). A few small handling creases in the upper left area (see photo), otherwise very good condition. Julian Schnabel’s per non dimenticare (1997) is a lithograph that revisits the enduring image of the Crucifixion through the artist’s expressive, painterly language. Printed in a numbered edition of 90 and hand-signed, the composition centers on a solitary Christ figure affixed to a dark cross, his body rendered with loose, gestural modeling and visible brushlike contours. Thin streams of red suggest blood, echoed by the inscription “Aug 2 10:25,” which introduces a personal or commemorative dimension. The pale, atmospheric ground contrasts with the intense corporeality of the figure, heightening emotional tension. Published with the blind stamp of Domberger Editionen, Germany, the work reflects Schnabel’s engagement with memory, spirituality, and the material presence of paint translated into print.

Artwork Copyright © Julian Schnabel

per non dimenticare, 1997

form

Medium

Edition

Hand-signed by Julian Schnabel. Dated, with the publisher's blind stamp (Domberger Editionen, Germany). A few small handling creases in the upper left area (see photo), otherwise very good condition. Julian Schnabel’s per non dimenticare (1997) is a lithograph that revisits the enduring image of the Crucifixion through the artist’s expressive, painterly language. Printed in a numbered edition of 90 and hand-signed, the composition centers on a solitary Christ figure affixed to a dark cross, his body rendered with loose, gestural modeling and visible brushlike contours. Thin streams of red suggest blood, echoed by the inscription “Aug 2 10:25,” which introduces a personal or commemorative dimension. The pale, atmospheric ground contrasts with the intense corporeality of the figure, heightening emotional tension. Published with the blind stamp of Domberger Editionen, Germany, the work reflects Schnabel’s engagement with memory, spirituality, and the material presence of paint translated into print.

Artwork Copyright © Julian Schnabel

Julian Schnabel

Per Non Dimenticare, 1997

Limited Edition Print

Lithograph

EUR 3,000

Julian Schnabel

Untitled, 1992-1999

Limited Edition Print

Inkjet Print

EUR 1,100

Julian Schnabel

Best Buddies, 1992

Limited Edition Print

Serigraph

USD 4,000 - 6,000

Julian Schnabel

Malfi (Set Of Three), 1998

Limited Edition Print

Silkscreen

USD 9,250

Julian Schnabel

Roy, 1998

Limited Edition Print

Silkscreen

USD 4,800

Julian Schnabel

Guiseppe (Brooding On The Vast Abyss), 1998

Limited Edition Print

Silkscreen

USD 4,800

Julian Schnabel

Bandini From View Of Dawn In The Tropics Series, 1998

Limited Edition Print

Silkscreen

USD 4,700

Julian Schnabel

Allen (Cordial Love), 1998

Limited Edition Print

Silkscreen

USD 4,990

Julian Schnabel

A Boy From Naples Year, 1986

Limited Edition Print

Mixed Media

Currently Not Available

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What is matter painting?

Matter painting is a technique that involves blending thick impasto paints with materials like cement, mud, sand, or shells. The term first emerged in the 1950s to describe the works of Belgian and Dutch painters who explored the physical properties of painting materials and the different ways paint could be manipulated. This approach emphasizes texture and the tactile qualities of the surface, creating a sculptural effect on the canvas.

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