Sam Francis

Untitled, 1984

106.7 X 73 inch

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Titled Quotation (for L.C.) from the portfolio of Leo Castelli's 90th Birthday

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Wittgenstein's colour

Joseph Kosuth's El mapa de Miranda y la disciplina de Nietzsche, 2004, fossil stone engraving with fossil textures and Spanish text passages.
Joseph Kosuth's El mapa de Miranda y la disciplina de Nietzsche, 2004, fossil stone engraving with fossil textures and Spanish text passages.
Joseph Kosuth's El mapa de Miranda y la disciplina de Nietzsche, 2004, fossil stone engraving with fossil textures and Spanish text passages.
Joseph Kosuth's El mapa de Miranda y la disciplina de Nietzsche, 2004, fossil stone engraving with fossil textures and Spanish text passages.

Engraving on fossil stone - Hand-signed by the artist // El mapa de Miranda y la disciplina de Nietzsche by Joseph Kosuth, created in 2004, is an engraving on fossil stone. This artwork features fossilized patterns intricately embedded within the stone, overlaid with Spanish text passages. The contrast between the organic, natural textures and the intellectual rigor of the engraved text evokes a contemplation of time, philosophy, and the materiality of knowledge. Kosuth’s use of fossil stone reflects his conceptual approach, merging natural history with philosophical discourse, challenging the viewer to explore the temporal layers within the physical and intellectual realms.

Artwork Copyright © Joseph Kosuth

El mapa de Miranda y la disciplina de Nietzsche, 2004

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Medium

Edition

Engraving on fossil stone - Hand-signed by the artist // El mapa de Miranda y la disciplina de Nietzsche by Joseph Kosuth, created in 2004, is an engraving on fossil stone. This artwork features fossilized patterns intricately embedded within the stone, overlaid with Spanish text passages. The contrast between the organic, natural textures and the intellectual rigor of the engraved text evokes a contemplation of time, philosophy, and the materiality of knowledge. Kosuth’s use of fossil stone reflects his conceptual approach, merging natural history with philosophical discourse, challenging the viewer to explore the temporal layers within the physical and intellectual realms.

Artwork Copyright © Joseph Kosuth

Joseph Kosuth

Titled Quotation (for L.C.) From The Portfolio Of Leo Castelli's 90th Birthday, 1997

Limited Edition Print

Screen-print

USD 1,650

Joseph Kosuth

El Mapa De Miranda Y La Disciplina De Nietzsche, 2004

Sculpture / Object

Engraving

USD 6,000

Joseph Kosuth

Wittgenstein's Colour, 1989

Sculpture / Object

Mixed Media

EUR 29,300

Joseph Kosuth

Titled Quotation (for L.C.), 1997

Limited Edition Print

Screen-print

Currently Not Available

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What is appropriation?

Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.

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