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Two pochoirs printed by Crete, Paris. From the edition of 1000 unsigned prints (aside from the signed, numbered edition of 48). The original bound copy of Cahiers d'Art from which these prints were extracted is included. Published by Cahiers d'Art, Paris. Catalogue raisonne Dupin 14 and 15 Joan Miró’s Cahiers d'Art (Dupin 14–15) (1934) consists of two pochoirs that reflect his early mature style, where abstraction, symbolism, and playful figuration converge. Set against deep black grounds, elongated white forms transform into hybrid figures—part human, part creature—accented by vivid red and blue shapes. The simplified silhouettes and floating elements evoke a dreamlike, almost theatrical space. Published by Cahiers d’Art in Paris in an edition of 1000, with a smaller signed edition of 48, the works originally appeared in the avant-garde journal. Miró’s language here balances spontaneity and control, suggesting narrative without fixing meaning.
Cahiers d'Art (Dupin 14-15), 1934
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31.8 x 24.8 cm
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Details
Artist
Styles
Two pochoirs printed by Crete, Paris. From the edition of 1000 unsigned prints (aside from the signed, numbered edition of 48). The original bound copy of Cahiers d'Art from which these prints were extracted is included. Published by Cahiers d'Art, Paris. Catalogue raisonne Dupin 14 and 15 Joan Miró’s Cahiers d'Art (Dupin 14–15) (1934) consists of two pochoirs that reflect his early mature style, where abstraction, symbolism, and playful figuration converge. Set against deep black grounds, elongated white forms transform into hybrid figures—part human, part creature—accented by vivid red and blue shapes. The simplified silhouettes and floating elements evoke a dreamlike, almost theatrical space. Published by Cahiers d’Art in Paris in an edition of 1000, with a smaller signed edition of 48, the works originally appeared in the avant-garde journal. Miró’s language here balances spontaneity and control, suggesting narrative without fixing meaning.
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Joan Miró
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Serie Mallorca - Negro Y Blanco VI, 1973
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Joan Miró
Serie Mallorca - Negro Y Blanco I, 1973
Limited Edition Print
Etching And Aquatint
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Joan Miró
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Limited Edition Print
Lithograph
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Joan Miró
Untitled, From Album 21 Portfolio - M1130, 1978
Limited Edition Print
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Joan Miró
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What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.
