Jennifer Bartlett – Black, Grey, White, from Art Pro-Choice II, 1991 – Woodcut

Published by Pace Editions, New York, to benefit NARAL.

Printed by Spring Street Workshop, New York.
Literature: Axsom/Platzker 233.

'Black, Grey, White, from Art Pro-Choice II' by Jennifer Bartlett is a woodcut printed in stark black and white, measuring 41 × 51 cm. Four schematic house forms occupy the four quadrants of the composition, each rendered through dense vertical hatching. The background alternates between solid black and bare paper, so each house sits against its tonal inverse — a structural inversion that gives the grid its visual rhythm. Bartlett trained at Yale in the mid-1960s during the height of minimalism yet built her reputation working across abstraction and representation simultaneously. The house — elemental, instantly legible — was a recurring motif throughout her career, and here the woodcut's hand-cut line quality keeps the geometry warm rather than mechanical. The work was produced for Art Pro-Choice II, a 1991 benefit print portfolio made in support of reproductive rights.

Artwork Copyright © Jennifer Bartlett
Jennifer Bartlett (United States, 1941–2022) was a pioneering artist who merged conceptual rigor with the emotive gestures of Neo-Expressionism. Known for her signature enamel-coated steel plates arranged in grids, her iconic work 'Rhapsody' (1975–76) redefined large-scale painting, blending abstraction and representation with mathematical precision.
Artwork Copyright © Jennifer Bartlett

Black, Grey, White, from Art Pro-Choice II, 1991

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Published by Pace Editions, New York, to benefit NARAL.

Printed by Spring Street Workshop, New York.
Literature: Axsom/Platzker 233.

'Black, Grey, White, from Art Pro-Choice II' by Jennifer Bartlett is a woodcut printed in stark black and white, measuring 41 × 51 cm. Four schematic house forms occupy the four quadrants of the composition, each rendered through dense vertical hatching. The background alternates between solid black and bare paper, so each house sits against its tonal inverse — a structural inversion that gives the grid its visual rhythm. Bartlett trained at Yale in the mid-1960s during the height of minimalism yet built her reputation working across abstraction and representation simultaneously. The house — elemental, instantly legible — was a recurring motif throughout her career, and here the woodcut's hand-cut line quality keeps the geometry warm rather than mechanical. The work was produced for Art Pro-Choice II, a 1991 benefit print portfolio made in support of reproductive rights.

Artwork Copyright © Jennifer Bartlett
Jennifer Bartlett (United States, 1941–2022) was a pioneering artist who merged conceptual rigor with the emotive gestures of Neo-Expressionism. Known for her signature enamel-coated steel plates arranged in grids, her iconic work 'Rhapsody' (1975–76) redefined large-scale painting, blending abstraction and representation with mathematical precision.
Artwork Copyright © Jennifer Bartlett
Jennifer Bartlett – Black, Grey, White, from Art Pro-Choice II, 1991 – Woodcut

Jennifer Bartlett

Black, Grey, White, from Art Pro-Choice II, 1991

Limited Edition Print

Woodcut

Inquire For Price

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What is Generative Art?

What is Generative Art?

Generative art refers to art that is wholly or partly created through an autonomous system. This system can be independent or non-human, capable of determining features that would otherwise be decided by the artist. The generative system can act as the creator or as a collaborator with the artist. Generative art often refers to works generated algorithmically by computers, where the system plays a significant role in the creation process.

Jennifer Bartlett – Black, Grey, White, from Art Pro-Choice II, 1991 – Woodcut

Jennifer Bartlett

Black, Grey, White, from Art Pro-Choice II, 1991

41 x 51 cm

Est. 2005 — twenty years of collecting, online.