Lithograph on paper.
- Signed, dated and numbered in pencil.
- Printed and published by Arte Adrien Maeght, Paris, France
Jean-Paul Riopelle’s Album #7 Cat. No. 221 (1967) is a vibrant lithograph showcasing the artist's abstract expressionist language. The composition features dense and intertwined strokes of orange, green, blue, and black, creating a dynamic interplay of color and form. The layers of gestural marks convey energy and spontaneity, while the central white space adds balance and structure. Measuring 40.6 × 80 cm, this lithograph is part of a limited edition of 75 with an additional 10 hors commerce (HC) copies. Each piece is hand-signed, dated, and numbered by the artist. Printed and published by Arte Adrien Maeght in Paris, this work exemplifies Riopelle's mastery of abstraction.
Jean-Paul Riopelle (Canada, 1923–2002) was a pivotal figure in Abstract Expressionism and the Automatism. Known for his dynamic, palette knife-painted compositions, Riopelle’s works feature vivid colors and intricate textures. His influence extended internationally, bridging Canadian and European art. He also produced notable lithographs and experimented with sculpture later in his career.
LithographLithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
Lithograph on paper.
- Signed, dated and numbered in pencil.
- Printed and published by Arte Adrien Maeght, Paris, France
Jean-Paul Riopelle’s Album #7 Cat. No. 221 (1967) is a vibrant lithograph showcasing the artist's abstract expressionist language. The composition features dense and intertwined strokes of orange, green, blue, and black, creating a dynamic interplay of color and form. The layers of gestural marks convey energy and spontaneity, while the central white space adds balance and structure. Measuring 40.6 × 80 cm, this lithograph is part of a limited edition of 75 with an additional 10 hors commerce (HC) copies. Each piece is hand-signed, dated, and numbered by the artist. Printed and published by Arte Adrien Maeght in Paris, this work exemplifies Riopelle's mastery of abstraction.
Jean-Paul Riopelle (Canada, 1923–2002) was a pivotal figure in Abstract Expressionism and the Automatism. Known for his dynamic, palette knife-painted compositions, Riopelle’s works feature vivid colors and intricate textures. His influence extended internationally, bridging Canadian and European art. He also produced notable lithographs and experimented with sculpture later in his career.
There is no abstraction or figuration: there is only expression, and to express oneself is to place oneself in front of things.
- Jean-Paul Riopelle
Jean-Paul Riopelle (b. 1923 Canada, d. 2002 Canada) was a pioneering Canadian artist known for his contributions to Abstract Expressionism and the Automatism movement. A member of the Les Automatistes group in the 1940s, Riopelle rejected traditional artistic conventions, embracing spontaneous, gestural techniques. His bold use of palette knives and thick, textured layers of paint created dynamic, mosaic-like surfaces that bridged European Surrealism and North American Abstract Expressionism.
Deeply inspired by nature, Riopelle's works often evoke organic forms, from sprawling landscapes to atmospheric patterns. His relationship with artist Joan Mitchell also left a profound impact on his artistic practice. Over the decades, his artistic journey evolved, incorporating various media, including sculpture and lithography, while maintaining his signature vigor and innovation. Riopelle remains a celebrated figure in 20th-century art, remembered for his energetic compositions and boundary-pushing techniques.
Automatism refers to a technique in the creative process that accesses material from the unconscious or subconscious mind. It is based on Sigmund Freud’s psychoanalytic method of free association. Artists value this process for its ability to inspire creative thought and spontaneous creation.