Details
Artist
Styles
Lithograph on paper. - Signed, dated and numbered in pencil. - Printed and published by Arte Adrien Maeght, Paris, France // Jean-Paul Riopelle’s Album #7 Cat. No. 221 (1967) is a vibrant lithograph showcasing the artist's abstract expressionist language. The composition features dense and intertwined strokes of orange, green, blue, and black, creating a dynamic interplay of color and form. The layers of gestural marks convey energy and spontaneity, while the central white space adds balance and structure. Measuring 40.6 × 80 cm, this lithograph is part of a limited edition of 75 with an additional 10 hors commerce (HC) copies. Each piece is hand-signed, dated, and numbered by the artist. Printed and published by Arte Adrien Maeght in Paris, this work exemplifies Riopelle's mastery of abstraction.
Album #7 Cat. No. 221, 1967
form
Medium
Size
40.6 x 80 cm
- Inches
- Centimeters
Edition
Price
- USD
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Details
Artist
Styles
Lithograph on paper. - Signed, dated and numbered in pencil. - Printed and published by Arte Adrien Maeght, Paris, France // Jean-Paul Riopelle’s Album #7 Cat. No. 221 (1967) is a vibrant lithograph showcasing the artist's abstract expressionist language. The composition features dense and intertwined strokes of orange, green, blue, and black, creating a dynamic interplay of color and form. The layers of gestural marks convey energy and spontaneity, while the central white space adds balance and structure. Measuring 40.6 × 80 cm, this lithograph is part of a limited edition of 75 with an additional 10 hors commerce (HC) copies. Each piece is hand-signed, dated, and numbered by the artist. Printed and published by Arte Adrien Maeght in Paris, this work exemplifies Riopelle's mastery of abstraction.
What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.
