Sam Francis

Untitled, 1984

106.7 X 73 inch

Jean-Charles Blais's Suite Nipon Pour C.B., 1985 linocut, figure with crossed arms holding a tool against red and black background, limited edition.

// Suite Nipon Pour C.B. by Jean-Charles Blais, created in 1985, is a limited edition linocut that captures the artist’s characteristic bold and expressive style. The artwork depicts a figure with their arms crossed, gripping a tool, set against a background of rich red and black. The use of strong lines and high contrast emphasizes the figure’s stance, exuding a sense of resilience and quiet strength. The red background features abstract patterns and textures that add depth and intensity to the composition, while the detailed rendering of the hands suggests themes of labor, identity, and endurance. With an edition size of 95, this piece reflects Blais's interest in the human form and its symbolic potential.

Artwork Copyright © Jean-Charles Blais

Suite Nipon Pour C.B., 1985

form

Medium

Edition

// Suite Nipon Pour C.B. by Jean-Charles Blais, created in 1985, is a limited edition linocut that captures the artist’s characteristic bold and expressive style. The artwork depicts a figure with their arms crossed, gripping a tool, set against a background of rich red and black. The use of strong lines and high contrast emphasizes the figure’s stance, exuding a sense of resilience and quiet strength. The red background features abstract patterns and textures that add depth and intensity to the composition, while the detailed rendering of the hands suggests themes of labor, identity, and endurance. With an edition size of 95, this piece reflects Blais's interest in the human form and its symbolic potential.

Artwork Copyright © Jean-Charles Blais

Jean-Charles Blais

Suite Nipon Pour C.B., 1985

Limited Edition Print

Linocut

Currently Not Available

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What is Arte Povera?

A movement and style in art that originated in Italy during the 1960s. It integrates elements of minimalism, performance art, and conceptual art by using everyday or seemingly worthless materials, such as newspapers, stones, or rags. The goal was to challenge and subvert the commercialization of art.

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