
Details
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Etching on Hahnemühle Copperplate wove paper - Signed, dated, and numbered in pencil - Published by Gemini G.E.L, Los Angeles // Jasper Johns’ Untitled (from The Geldzahler Portfolio) (1998) is an etching on Hahnemühle Copperplate wove paper, part of a limited edition of 75. The composition is intricate and layered, blending abstract forms with hints of recognizable imagery. Dominated by two dark black dots that resemble bullet holes, the etching incorporates geometric patterns, delicate line work, and fragmented shapes that suggest architectural or mechanical structures. The presence of tools, combined with abstract forms, hints at the process of creation and deconstruction. Signed, dated, and numbered in pencil, this work reflects Johns’ ongoing exploration of ambiguity, perception, and the tension between order and chaos.
Untitled (from The Geldzahler Portfolio), 1998
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Medium
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76.2 x 55.9 cm
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Details
Artist
Styles
Etching on Hahnemühle Copperplate wove paper - Signed, dated, and numbered in pencil - Published by Gemini G.E.L, Los Angeles // Jasper Johns’ Untitled (from The Geldzahler Portfolio) (1998) is an etching on Hahnemühle Copperplate wove paper, part of a limited edition of 75. The composition is intricate and layered, blending abstract forms with hints of recognizable imagery. Dominated by two dark black dots that resemble bullet holes, the etching incorporates geometric patterns, delicate line work, and fragmented shapes that suggest architectural or mechanical structures. The presence of tools, combined with abstract forms, hints at the process of creation and deconstruction. Signed, dated, and numbered in pencil, this work reflects Johns’ ongoing exploration of ambiguity, perception, and the tension between order and chaos.
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Jasper Johns
Untitled - Faces (ULAE 243), 1988
Limited Edition Print
Carborundum
USD 41,000 - 45,000
What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.