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Etching on Hahnemühle Copperplate wove paper - Signed, dated, and numbered in pencil - Published by Gemini G.E.L, Los Angeles // Jasper Johns’ Untitled (from The Geldzahler Portfolio) (1998) is an etching on Hahnemühle Copperplate wove paper, part of a limited edition of 75. The composition is intricate and layered, blending abstract forms with hints of recognizable imagery. Dominated by two dark black dots that resemble bullet holes, the etching incorporates geometric patterns, delicate line work, and fragmented shapes that suggest architectural or mechanical structures. The presence of tools, combined with abstract forms, hints at the process of creation and deconstruction. Signed, dated, and numbered in pencil, this work reflects Johns’ ongoing exploration of ambiguity, perception, and the tension between order and chaos.
Untitled (from The Geldzahler Portfolio), 1998
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76.2 x 55.9 cm
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Details
Artist
Styles
Etching on Hahnemühle Copperplate wove paper - Signed, dated, and numbered in pencil - Published by Gemini G.E.L, Los Angeles // Jasper Johns’ Untitled (from The Geldzahler Portfolio) (1998) is an etching on Hahnemühle Copperplate wove paper, part of a limited edition of 75. The composition is intricate and layered, blending abstract forms with hints of recognizable imagery. Dominated by two dark black dots that resemble bullet holes, the etching incorporates geometric patterns, delicate line work, and fragmented shapes that suggest architectural or mechanical structures. The presence of tools, combined with abstract forms, hints at the process of creation and deconstruction. Signed, dated, and numbered in pencil, this work reflects Johns’ ongoing exploration of ambiguity, perception, and the tension between order and chaos.
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Jasper Johns
Untitled - Faces (ULAE 243), 1988
Limited Edition Print
Carborundum
USD 41,000 - 45,000
What is conceptual art?
Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.