Sam Francis

Untitled, 1984

106.7 X 73 inch

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Untitled 2, from the White Portfolio

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Peace

Embossed white-on-white intaglio print by Jack Youngerman featuring abstract, flowing organic forms in subtle relief. Signed and numbered at the bottom.

Jack Youngerman’s Untitled 1, from The White Portfolio (1972), is a minimalist intaglio print measuring 36 x 27 inches, created in an edition of 150. Executed entirely in white, the work features embossed organic forms that gracefully flow across the surface, creating subtle shifts in texture and shadow. The interplay between light and relief evokes a meditative calm, while the curvilinear abstraction is emblematic of Youngerman’s refined visual language. Signed and dated in pencil, the work exemplifies his commitment to purity of form and spatial harmony.

Artwork Copyright © Jack Youngerman

Untitled 1, from the White Portfolio, 1972

form

Medium

Edition

Jack Youngerman’s Untitled 1, from The White Portfolio (1972), is a minimalist intaglio print measuring 36 x 27 inches, created in an edition of 150. Executed entirely in white, the work features embossed organic forms that gracefully flow across the surface, creating subtle shifts in texture and shadow. The interplay between light and relief evokes a meditative calm, while the curvilinear abstraction is emblematic of Youngerman’s refined visual language. Signed and dated in pencil, the work exemplifies his commitment to purity of form and spatial harmony.

Artwork Copyright © Jack Youngerman

Jack Youngerman

Untitled 2, From The White Portfolio, 1972

Limited Edition Print

Intaglio

Inquire For Price

Jack Youngerman

Untitled 1, From The White Portfolio, 1972

Limited Edition Print

Intaglio

Inquire For Price

Jack Youngerman

Peace, 1973

Limited Edition Print

Silkscreen

EUR 1,700

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What is Hard Edge Art?

Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.

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