
Details
Artist
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Lithograph in colors on wove paper. Signed and numbered in pencil. Helen Frankenthaler’s Untitled (1965) is a lithograph that showcases her signature soak-stain technique adapted to printmaking. This composition features organic, fluid shapes in earthy beige, deep blue, and soft golden hues, creating a sense of depth and movement. The layered colors appear to bleed into the paper, a hallmark of Frankenthaler’s approach to abstraction. A key figure in the Color Field movement, Frankenthaler’s work is characterized by its emotional resonance and spontaneous expression. This piece, from a limited edition of 100, is signed and numbered in pencil, reflecting her mastery of translating painterly techniques into print.
Untitled, 1965
form
Medium
Size
55.4 x 41.9 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Lithograph in colors on wove paper. Signed and numbered in pencil. Helen Frankenthaler’s Untitled (1965) is a lithograph that showcases her signature soak-stain technique adapted to printmaking. This composition features organic, fluid shapes in earthy beige, deep blue, and soft golden hues, creating a sense of depth and movement. The layered colors appear to bleed into the paper, a hallmark of Frankenthaler’s approach to abstraction. A key figure in the Color Field movement, Frankenthaler’s work is characterized by its emotional resonance and spontaneous expression. This piece, from a limited edition of 100, is signed and numbered in pencil, reflecting her mastery of translating painterly techniques into print.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.