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One of the 5 etchings, Las Estampas de la Cometa; Gustavo Gili, Barcelona, 1971 - On watermarked Arches paper - Plate: 52 x 79 cm. - Sheet: 75 x 105.3 cm. // Hans Hartung's Las Estampas de la Cometa 1 (1971) is an etching from a limited edition of 75 copies, plus HC (hors commerce), produced on watermarked Arches paper. Part of a series published by Gustavo Gili in Barcelona, this print exemplifies Hartung’s dynamic and gestural abstraction. Bold, sweeping black lines dominate the composition, creating a sense of movement and chaos against the stark white background. The energetic strokes and overlapping forms convey an intense emotional expression, typical of Hartung's post-war work. The artwork measures 52 x 79 cm on the plate and 75 x 105.3 cm overall, highlighting its expansive and immersive nature.
Las Estampas de la Cometa 1, 1971
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75 x 105 cm
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Details
Artist
Styles
One of the 5 etchings, Las Estampas de la Cometa; Gustavo Gili, Barcelona, 1971 - On watermarked Arches paper - Plate: 52 x 79 cm. - Sheet: 75 x 105.3 cm. // Hans Hartung's Las Estampas de la Cometa 1 (1971) is an etching from a limited edition of 75 copies, plus HC (hors commerce), produced on watermarked Arches paper. Part of a series published by Gustavo Gili in Barcelona, this print exemplifies Hartung’s dynamic and gestural abstraction. Bold, sweeping black lines dominate the composition, creating a sense of movement and chaos against the stark white background. The energetic strokes and overlapping forms convey an intense emotional expression, typical of Hartung's post-war work. The artwork measures 52 x 79 cm on the plate and 75 x 105.3 cm overall, highlighting its expansive and immersive nature.
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Hans Hartung
Lithograph XIV From Farandole, 1971
Limited Edition Print
Lithograph
Currently Not Available
What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.
