Sam Francis

Untitled, 1984

106.7 X 73 inch

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Femme rose aux cheveux bleus

Corneille Plat ceramic plate acrylic tinted varnish stylized female face with cat motif in blue tones
Corneille Plat ceramic plate acrylic tinted varnish stylized female face with cat motif in blue tones
Corneille Plat ceramic plate acrylic tinted varnish stylized female face with cat motif in blue tones

Acrylic, tinted varnish. Unique artwork, plate signed. Measuring 57 x 58 cm. Artwork dimensions, including frame: 78 x 78 cm Corneille’s Plat (1999) is a unique ceramic plate painted with acrylic and tinted varnish, exemplifying the artist’s signature playful yet symbolic visual language. The composition presents a stylized female face rendered in bold, simplified lines, framed within the circular form. A small animal—likely a cat—rests across her head, a recurring motif in Corneille’s work that evokes imagination and a connection to nature. The limited palette of deep blues and soft neutrals enhances the tactile, glazed surface, while the symmetry of the face contrasts with the lively, almost childlike drawing style. Created late in the artist’s career, the piece reflects the influence of the CoBrA movement, emphasizing spontaneity and expressive freedom.

Artwork Copyright © Guillaume Corneille

Plat, 1999

form

Medium

Edition

Acrylic, tinted varnish. Unique artwork, plate signed. Measuring 57 x 58 cm. Artwork dimensions, including frame: 78 x 78 cm Corneille’s Plat (1999) is a unique ceramic plate painted with acrylic and tinted varnish, exemplifying the artist’s signature playful yet symbolic visual language. The composition presents a stylized female face rendered in bold, simplified lines, framed within the circular form. A small animal—likely a cat—rests across her head, a recurring motif in Corneille’s work that evokes imagination and a connection to nature. The limited palette of deep blues and soft neutrals enhances the tactile, glazed surface, while the symmetry of the face contrasts with the lively, almost childlike drawing style. Created late in the artist’s career, the piece reflects the influence of the CoBrA movement, emphasizing spontaneity and expressive freedom.

Artwork Copyright © Guillaume Corneille

Guillaume Corneille

Composition Abstraite, 1952

Drawing / Watercolor

Mixed Media

EUR 11,500

Guillaume Corneille

Chats Champêtres, 2008

Limited Edition Print

Engraving

EUR 1,500

Guillaume Corneille

Plat, 1999

Ceramics

Plate

EUR 3,500

Guillaume Corneille

Femme Rose Aux Cheveux Bleus, 1999

Limited Edition Print

Mixed Media

EUR 1,500

Guillaume Corneille

La Femme Et L’oiseau Rouge, 1995

Limited Edition Print

Lithograph

EUR 1,500

Guillaume Corneille

Däumelinchen, 1999

Limited Edition Print

Lithograph

EUR 980

Guillaume Corneille

Blauer Stern, 1999

Limited Edition Print

Lithograph

EUR 1,800

Guillaume Corneille

Tête De Femme Et Oiseau Pensif, 1980

Limited Edition Print

Lithograph

EUR 570

Guillaume Corneille

Aurore Sur La Montagne, 1991

Limited Edition Print

Lithograph

EUR 1,980

Guillaume Corneille

Le Grand Oiseau Du Désert, 1999

Limited Edition Print

Lithograph

EUR 2,020

Guillaume Corneille

Esmeralda, 2002

Limited Edition Print

Etching

EUR 1,400

Guillaume Corneille

Liegender Akt, 1991

Limited Edition Print

Lithograph

EUR 3,800

Guillaume Corneille

Demi-Lune Dans Ciel Catalan, 1990

Limited Edition Print

Lithograph

EUR 1,200

Guillaume Corneille

Chat Exotique Des Iles Du Sud

Sculpture / Object

Metal

EUR 600

Guillaume Corneille

Woman And Bird

Sculpture / Object

Wood

EUR 1,400

Guillaume Corneille

Rêve D’été, 2004

Sculpture / Object

Wood

EUR 1,400

Guillaume Corneille

Big Bird (Grosser Vogel), 1991

Limited Edition Print

Lithograph

Currently Not Available

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What is the CoBrA movement?

CoBrA stands for Copenhagen, Brussels, and Amsterdam; the group was formed with a desire to break away from the existing art movements of the time. Their critique of Western society led them to experiment and evolve into a significant international movement. CoBrA was founded on November 8, 1948, at the Notre Dame Café in Paris, where its manifesto was signed by Karel Appel, Joseph Noiret, Corneille, Christian Dotremont, Constant, and Asger Jorn. The group was united by a shared commitment to freedom in both form and color, and their work emphasized experimentation and spontaneity.

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