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Corneille’s La femme et l’oiseau rouge (1995) is a lithograph that exemplifies his vivid, symbolic visual language. A reclining female figure, rendered in warm ochres and soft contours, gazes toward a bold red bird hovering above her. The simplified forms and strong color contrasts create a dreamlike, almost mythical atmosphere. Influenced by his travels and engagement with African art, Corneille frequently explored the relationship between woman and bird—motifs that here suggest sensuality, vitality, and freedom. Produced in a signed edition of 99, the work reflects his transition from early abstraction to a more figurative, poetic style.
La femme et l’oiseau rouge, 1995
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Medium
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65 x 50 cm
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Details
Artist
Styles
Corneille’s La femme et l’oiseau rouge (1995) is a lithograph that exemplifies his vivid, symbolic visual language. A reclining female figure, rendered in warm ochres and soft contours, gazes toward a bold red bird hovering above her. The simplified forms and strong color contrasts create a dreamlike, almost mythical atmosphere. Influenced by his travels and engagement with African art, Corneille frequently explored the relationship between woman and bird—motifs that here suggest sensuality, vitality, and freedom. Produced in a signed edition of 99, the work reflects his transition from early abstraction to a more figurative, poetic style.
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What is the CoBrA movement?
CoBrA stands for Copenhagen, Brussels, and Amsterdam; the group was formed with a desire to break away from the existing art movements of the time. Their critique of Western society led them to experiment and evolve into a significant international movement. CoBrA was founded on November 8, 1948, at the Notre Dame Café in Paris, where its manifesto was signed by Karel Appel, Joseph Noiret, Corneille, Christian Dotremont, Constant, and Asger Jorn. The group was united by a shared commitment to freedom in both form and color, and their work emphasized experimentation and spontaneity.
