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Corneille’s Chats Champêtres (2008) is an engraving that radiates the artist’s characteristic sense of joy and imagination. The composition features whimsical, hybrid creatures—part cat, part human—set within a simplified, dreamlike landscape. Bold outlines and vibrant colors dominate: warm yellows, greens, reds, and blues create a lively, almost childlike visual rhythm. A bird hovers nearby, reinforcing Corneille’s recurring themes of nature and freedom. The flattened perspective and playful forms reflect his roots in the CoBrA movement, where spontaneity and expressive color were central. Produced late in his career, this limited edition print maintains the artist’s enduring fascination with fantasy, animals, and poetic symbolism.
Chats Champêtres, 2008
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55 x 75 cm
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Details
Artist
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Corneille’s Chats Champêtres (2008) is an engraving that radiates the artist’s characteristic sense of joy and imagination. The composition features whimsical, hybrid creatures—part cat, part human—set within a simplified, dreamlike landscape. Bold outlines and vibrant colors dominate: warm yellows, greens, reds, and blues create a lively, almost childlike visual rhythm. A bird hovers nearby, reinforcing Corneille’s recurring themes of nature and freedom. The flattened perspective and playful forms reflect his roots in the CoBrA movement, where spontaneity and expressive color were central. Produced late in his career, this limited edition print maintains the artist’s enduring fascination with fantasy, animals, and poetic symbolism.
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What is the CoBrA movement?
CoBrA stands for Copenhagen, Brussels, and Amsterdam; the group was formed with a desire to break away from the existing art movements of the time. Their critique of Western society led them to experiment and evolve into a significant international movement. CoBrA was founded on November 8, 1948, at the Notre Dame Café in Paris, where its manifesto was signed by Karel Appel, Joseph Noiret, Corneille, Christian Dotremont, Constant, and Asger Jorn. The group was united by a shared commitment to freedom in both form and color, and their work emphasized experimentation and spontaneity.
