Details
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Lithograph on Special Arjomari paper - Signed and numbered in pencil - Published by Gemini G.E.L., Los Angeles // 'Blue/Black' by Ellsworth Kelly is a minimalist lithograph that epitomizes his exploration of color, form, and spatial relationships. Created in 1970, the composition consists of two juxtaposed rectangles, one vivid blue and the other deep black, set against a stark white background. The sharp contrast between the colors and the clean, geometric lines reflect Kelly's dedication to abstraction and his fascination with the balance of simplicity and boldness. Printed on special Arjomari paper, this work was published by Gemini G.E.L. as part of a limited edition of 75, exemplifying the precision and elegance of his printmaking. The piece is signed and numbered in pencil, underscoring its exclusivity and meticulous craftsmanship.
Blue/Black, 1970
form
Medium
Size
91.4 x 87.6 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Lithograph on Special Arjomari paper - Signed and numbered in pencil - Published by Gemini G.E.L., Los Angeles // 'Blue/Black' by Ellsworth Kelly is a minimalist lithograph that epitomizes his exploration of color, form, and spatial relationships. Created in 1970, the composition consists of two juxtaposed rectangles, one vivid blue and the other deep black, set against a stark white background. The sharp contrast between the colors and the clean, geometric lines reflect Kelly's dedication to abstraction and his fascination with the balance of simplicity and boldness. Printed on special Arjomari paper, this work was published by Gemini G.E.L. as part of a limited edition of 75, exemplifying the precision and elegance of his printmaking. The piece is signed and numbered in pencil, underscoring its exclusivity and meticulous craftsmanship.
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Ellsworth Kelly
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Ellsworth Kelly
Orange And Blue Over Yellow, 1964-65
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Ellsworth Kelly
Canigou - From The Third Curve Series, 1973-1976
Limited Edition Print
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
